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      • Species is a 1995 American science fiction horror film directed by Roger Donaldson and written by Dennis Feldman.
      en.wikipedia.org/wiki/Species_(film)
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  2. Species is a 1995 American science fiction horror film directed by Roger Donaldson and written by Dennis Feldman. It stars Ben Kingsley, Michael Madsen, Alfred Molina, Forest Whitaker, Marg Helgenberger, and Natasha Henstridge in her film debut role.

  3. www.imdb.com › title › tt0114508Species (1995) - IMDb

    Species: Directed by Roger Donaldson. With Ben Kingsley, Michael Madsen, Alfred Molina, Forest Whitaker. A group of scientists try to track down and trap a killer alien seductress before she successfully mates with a human.

    • Roger Donaldson
    • 2 min
  4. Species shows flashes of the potential to blend exploitation and sci-fi horror in ingenious ways, but is ultimately mainly interested in flashing star Natasha Henstridge's skin....

    • (73)
    • Roger Donaldson
    • R
    • Ben Kingsley
  5. Species is a science-fiction-action horror film series created by Dennis Feldman consisting of three related films and one standalone film.

    • Christopher Young
    • Dennis FeldmanFrank Mancuso Jr.
    • Roger Donaldson
    • Dennis Feldman
  6. Jul 7, 1995 · Species. Horror. 108 minutes ‧ R ‧ 1995. Roger Ebert. July 7, 1995. 4 min read. Think about this. According to the movies, out there in space, untold light years from Earth, exist many alien species with the ability to travel between the stars and send messages across the universe.

  7. Species is a 1995 American science fiction horror film directed by Roger Donaldson and written by Dennis Feldman. It stars Natasha Henstridge, Ben Kingsley, Michael Madsen, Alfred Molina, Forest Whitaker and Marg Helgenberger.

  8. Oct 10, 2024 · Species owes its initial success to Henstridge's legendary assets, but it's got some real staying power because it's a legitimately fantastic science fiction horror film. It's a quintessential mid-90's action/sci-fi/horror, a perfect representation of the decade and its big-city excess and commitment to research regardless of the cost.

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