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- "Society" is a poorly written, but ultra gory horror story made in 1989 by "Re-Animator" producer Brian Yuzna. But, don't go thinking this is a guilty pleasure. "Re-Animator" was a vastly superior film.
www.rottentomatoes.com/m/society/reviews
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Society is probably his most well known movie work but his stuff in Faust, Freaked, Nightmare on Elm Street 3/4 and Bride of Reanimator is great too. He also designed the Slipknot masks for most of their looks besides the initial masks and the latest ones if I recall correctly.
Jun 5, 2015 · In the era of John Hughes, Society could be seen as the most surreal teen flick of the 1980s. Yuzna’s direction lacks the singular flair of Lynch, but it still has a certain ramshackle impact.
Recommendation. I've seen a lot of strange movies over the past few days including Nothing But Trouble (1991) and Freaked (1993). I continued that trend with 1989's Society, a movie I only became aware of a few days prior. The movie was directed by Brian Yuzna who is known for producing horror films like Re-Animator and From Beyond.
The 1989 cult horror classic Society is remembered for its sensational effects and disturbing undertones. But it's the movie's grisly portrayal of the rich exploiting the poor that's the scariest thing of all. Society feels like it was meant for our era of Jeffrey Epstein, QAnon, and oligarchic scheming. (Wild Street Pictures)
Jan 23, 2021 · The great thing about Society's ending, particularly the movie's practical effects, is that it still holds up today, working just as well if not even better than it did back in 1989. In the modern day, when so many tropes of horror are becoming played out and boring, directors are having to create new and interesting ways to tell stories ...
Although Society is at first blemished by its dated humor and contrived teenage self-discovery, we find everything is in service to a truly sensational ending. Full Review | Nov 1, 2004
In closing, Brian Yuzna's 'Society' is a memorable movie, though it is far from perfect. The narrative is peppered with unnecessary sub-plots and cliches, while screenwriters Fry and Daniel's secondary characterisation leaves a lot to be desired.
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