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  1. Charlie Kenton (Hugh Jackman) used to be a prizefighter but lost his chance to win a title when heavy, towering robots took over the boxing ring. Now working as a small-time promoter, Charlie ...

    • (237)
    • Shawn Levy
    • PG-13
    • Hugh Jackman
  2. Real Steel is a decent movie. For all those who like the film, the good news is that it was recehtly announced a TV series is in early development for Disney Plus. Reply reply

  3. Real Steel: Directed by Shawn Levy. With Hugh Jackman, Dakota Goyo, Evangeline Lilly, Anthony Mackie. In a near future where robot boxing is a top sport, a struggling ex-boxer feels he's found a champion in a discarded robot.

    • (361K)
    • Action, Drama, Sci-Fi
    • Shawn Levy
    • 2011-10-07
  4. To my amazement, this fight scene is as entertaining and involving as most human fights, and the off-screen story (involving Zeus’ odious owners) adds interest. It’s hard to hate a robot, but not its owners. Curiously, however, it’s easy to love Atom. With his blue eyes glowing behind a face of steel mesh and his skinny, muscular body ...

  5. Real Steel has a plot that's aimed right at the kiddos with easy to distinguish good and bad figures. Of course the ice-cold Russian-Japanese duo behind the reigning champ Zeus don't have relatable family struggles to put them in a gray area. There's some disbelief to suspend.

  6. en.wikipedia.org › wiki › Real_SteelReal Steel - Wikipedia

    Real Steel is a 2011 American science fiction sports film starring Hugh Jackman and Dakota Goyo and co-produced and directed by Shawn Levy for DreamWorks Pictures. The film is based on the short story "Steel", written by Richard Matheson , which was originally published in the May 1956 edition of The Magazine of Fantasy & Science Fiction , and later adapted into a 1963 Twilight Zone episode .

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  8. Adjust limits for Sex, Romance & Nudity in your kid's entertainment guide. The movie has a lot to say about redemption and forgiveness between a father and his son. It also makes you think about how we cast aside older models (computers, cell phones, people) for flashier, newer varieties, often forgetting that there's value in what came before.

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