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  1. en.wikipedia.org › wiki › Rear_WindowRear Window - Wikipedia

    Rear Window is a 1954 American mystery ... and scopophilia in Hitchcock's movies, with Rear Window used as a prime example of ... like watching a movie, as like ...

  2. Feb 20, 2000 · Roger Ebert. February 20, 2000. 6 min read. The hero of Alfred Hitchcock’s “Rear Window” is trapped in a wheelchair, and we’re trapped, too–trapped inside his point of view, inside his lack of freedom and his limited options. When he passes his long days and nights by shamelessly maintaining a secret watch on his neighbors, we share ...

  3. Rear Window: Directed by Alfred Hitchcock. With James Stewart, Grace Kelly, Wendell Corey, Thelma Ritter. A bored photographer recovering from a broken leg passes the time by watching his neighbors and begins to suspect one of them of murder.

    • (528K)
    • Mystery, Thriller
    • Alfred Hitchcock
    • 1954-09-01
  4. Suspense. 114 minutes ‧ PG ‧ 1954. Roger Ebert. October 7, 1983. 3 min read. Now this is a movie. Alfred Hitchcock’s “Rear Window” develops such a clean, uncluttered line from beginning to end that we’re drawn through it (and into it) effortlessly. The experience is not so much like watching a movie, as like … well, like spying on ...

  5. Apr 3, 2018 · Tynan loves nagging all his friends to watch classic movies with him. Follow his frequent musings at Film Inquiry and on his blog 4 Star Films. Soli Deo Gloria. In this retrospective, we look back at Alfred Hitchcock's classic masterpiece Rear Window, one of his most clinical and compelling thrillers that intimately examined the human emotion.

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    • Is rear window a movie about watching movies?5
  6. www.rottentomatoes.com › m › 1017289-rear_windowRear Window - Rotten Tomatoes

    Rated 5/5 Stars • Rated 5 out of 5 stars 04/18/22 Full Review Dan R 1954's 'Rear Window' is the definition of what a class movie is, and is one of Alfred Hitchcock's best films. SYNOPSIS: 'A ...

    • (131)
    • Mystery & Thriller
    • PG
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  8. Simply put, Rear Window is a great film, perhaps one of the finest ever committed to celluloid. All of the elements are perfect (or nearly so), including the acting, script, camerawork, music (by Franz Waxman), and, of course, direction. The brilliance of the movie is that, in addition to keeping viewers on the edges of their seats, it involves ...

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