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Noise: The Political Economy of Music is a book by French economist and scholar Jacques Attali which is about the role of music in the political economy.
- Jacques Attali, Brian Massumi, Frederic Jameson, Susan McClary
- 1977
Sep 28, 2022 · To explore the analytical possibilities that music presents for understanding temporality in the context of IPE, this article has treated music neither as a special case for political economic analysis, nor as a metaphor for political or economic processes and relations.
Apr 24, 2014 · Nearly 40 years after the publication of his 1977 book Noise: The Political Economy of Music, French economist and writer Jacques Attali spoke at Harvard on Monday about the relationship between music and a society’s economic structure.
Jun 30, 2022 · Thus, music as an organized structure of noise always includes potential subversive power that anticipates the future socio-economic system. From an historical perspective, Attali argues that there were three regimes of political power in music in human history.
Aug 30, 2023 · This monograph is an innovative examination of the political economy of music. It integrates original economic theories and empirical research to shed light on the economic and social forces shaping music and society today.
- 1st Edition
Jul 8, 2020 · Watt presented a double-sided picture of politicians: he suggested that while personal musical experiences might shape a politician’s understanding of music and how to engage with it, they might also use policy-making about music to help construct their political identity.
People also ask
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Several sets of issues have been important in the creation of protest music. First, how can music be political, or what constitutes political expression in music? Is it related to its political function or to its own structure, mode of expression, and rules? Can music be political without text?
