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High Noon. High Noon is a 1952 American Western film produced by Stanley Kramer from a screenplay by Carl Foreman, directed by Fred Zinnemann, and starring Gary Cooper. The plot, which occurs in real time, centers on a town marshal whose sense of duty is tested when he must decide to either face a gang of killers alone, or leave town with his ...
Oct 7, 2024 · High Noon, American western film released in 1952, that is widely considered a classic of the “adult” western genre, noted for its complex exploration of morality, integrity, and duty. As the reluctant hero, Gary Cooper earned an Academy Award.
- Lee Pfeiffer
High Noon: Directed by Fred Zinnemann. With Gary Cooper, Thomas Mitchell, Lloyd Bridges, Katy Jurado. A town Marshal, despite the disagreements of his newlywed bride and the townspeople around him, must face a gang of deadly killers alone at "high noon" when the gang leader, an outlaw he "sent up" years ago, arrives on the noon train.
- (111K)
- Drama, Thriller, Western
- Fred Zinnemann
- 1952-07-30
High Noon (1952) In the world of classic western films, High Noon stands out as a timeless masterpiece that continues to captivate audiences over half a century after its release. Directed by Fred Zinnemann and starring Gary Cooper and Grace Kelly, this iconic film has cemented its place in cinematic history as a must-see for fans of the genre.
A classic of the Western genre that broke with many of the ... 9.5/10 Rated 5/5 Stars • Rated 5 out of 5 stars 01/09/24 Full Review Joel H High Noon is a unique Western film. It stands out among ...
- (91)
- Fred Zinnemann
- PG
- Gary Cooper
High Noon (1952) is possibly the all-time best Western film ever made - a successful box-office production by Stanley Kramer and director Fred Zinnemann (who also directed From Here to Eternity (1953) and A Man For All Seasons (1966)). The Western genre was employed to tell an uncharacteristic social problem tale about civic responsibility, without much of the typical frontier violence ...
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Sep 12, 2019 · High Noon has been cited as the first of a new kind of ‘novelistic’ Western—more concerned with characters and themes than the historical setting. Whilst the same story could’ve played out against a Biblical backdrop, a gangster setting, or even as part of a big business Wall Street story, the visually striking opening scene revels in the rich iconography of its genre.
