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  1. Mar 10, 2022 · Tim Simenon, AKA Bomb The Bass, created one of the most important dance singles of the late 80s. Before he knew it, the young London DJ had become an accidental pop star, been banned by Radio 1 and remixed everyone from Björk to Bowie.

  2. Bomb the Bass is an electronic music alias of English musician and producer Timothy Simenon (born June 1967). [2][3] As a name, Bomb the Bass came from Simenon's approach to collaging and mixing sounds whilst DJing in the mid- to late 1980s; he says "samples were either scratched in live or sampled and looped on top of the rhythm section.

  3. Tim Simenon first emerged into the limelight when his band Bomb The Bass topped the 1988 charts with 'Beat Dis'. At the time he was a DJ at the London Wag Club and the track, which consisted almost entirely of samples, cost him just £300 to make.

  4. Jul 29, 2023 · Bomb The Bass was the musical project of one man and he made it happen. Beat dis! Producer and artist Tim Simenon (b.1968) of Malaysian origan but born in England created his own musical fantasy, Bomb The Bass, in 1987 aged 19. Over the next few decades he would not only stamp his mark on…

  5. www.discogs.com › artist › 4079-Bomb-The-BassBomb The Bass - Discogs

    With ‘Beat Dis’, Bomb The Bass helped mould late 1980s acid house. Tim Simenon, has led the group through a number of different incarnations. More recently Bomb The Bass have settled as a duo, vocalist Paul Conboy providing lyrical complements to Simenon’s productions.

  6. Just as important were his many collaborations with a surprising range of artists: J. Saul Kane, Jah Wobble, Sinéad O'Connor, Hector Zazou, On-U Sound—even actress Minnie Driver turned up in the mix. Tim Simenon was a producer before people even paid that much attention to producers.

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  8. Aug 2, 2008 · His newly-built vehicle Bomb The Bass had just released Beat Dis, a myriad of samples powered by a killer bassline, spawning a hundred imitations. And now, with electronic music coming through its critically imposed ‘nu rave’ era, credibility intact, the real thing returns.

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