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  1. Oct 23, 2020 · Still, it’s easier and cheaper than a weave. “Bad Hair” spends more plot time dealing with trifling-ass men like Anna’s thieving ex-boyfriend, Julius (Jay Pharaoh) than any of the female relationships that might shine a light on the hair-related issues. Zora recommends a beauty salon run by Virgie (Laverne Cox).

  2. Rated: 2/5 • Jul 14, 2024. Justin Simien braids a clever and funny allegory whose central themes are intelligible without being pushy. Rated: 8/10 • Jul 20, 2023. Simien's intentions are noble ...

    • (85)
    • Elle Lorraine
    • Justin Simien
    • Sight Unseen Pictures
    • Is bad hair a good movie?1
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    • Is bad hair a good movie?3
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  3. Bad Hair: Directed by Justin Simien. With Zaria Kelley, Corinne Massiah, Elle Lorraine, Moses Storm. In 1989 an ambitious young woman gets a weave in order to succeed in the image-obsessed world of music television.

    • (4.4K)
    • Comedy, Horror, Music
    • Justin Simien
    • 2020-10-23
  4. Bad Hair is a 2020 American satirical black horror comedy film written, directed, and produced by Justin Simien. The film stars Elle Lorraine, Jay Pharoah, Lena Waithe, Kelly Rowland, Laverne Cox, Chanté Adams, James Van Der Beek, Usher Raymond IV, Blair Underwood, and Vanessa Williams. Bad Hair had its world premiere at the 2020 Sundance Film ...

  5. Jan 24, 2020 · It helps that “Bad Hair” musters a compelling first act. Set in 1989 L.A., the movie revolves around aspiring executive assistant Anna (fiery breakout Elle Lorraine), who works as a low-level ...

  6. Oct 22, 2020 · With “Bad Hair,” the writer and director Justin Simien, best known for the TV series and movie “Dear White People,” enters the post-“Get Out” renaissance in Black horror.

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  8. Oct 22, 2020 · Simien’s satire is a Black horror film playing in the J-horror sandbox, but that’s not to say that it’s a mimic of another culture’s lore; locating its horror specifically within the discrimination and image issues that Black women face in the workplace and beyond, Bad Hair is a unique, vibrant entry in the beauty-is-pain subgenre.

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