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Literary artifacts
- Screenplays are literary artifacts that offer a unique window into the creative process behind the movies we love. They are a form of literature that combines narrative storytelling with visual storytelling, and they require a mastery of language and structure to effectively communicate a story through the medium of film.
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Oct 31, 2019 · This chapter offers a critical survey of philosophical debate about the nature and definition of screenplays, their relationship to finished motion pictures, and the screenwriter’s claim to authorship.
- Ted Nannicelli
- 2019
In 1943, in a preface to one of the first volumes of screenplays to be published in the United States, John Gassner put forward the rather audacious proposition that the “screenplay” could be considered not only as a new form of literature but also as a very important form in its own right.
This essay examines a kind of fan-fiction work – »scriptfic« – as a case study for analysing and evaluating current theories of the screenplay. In the first part of the essay, I briefly describe the practice of writing »scriptfic« and the sorts of screenplays produced by that practice.
Fundamentally, the screenplay is a unique literary form. It is like a musical score, in that it is intended to be interpreted on the basis of other artists' performance, rather than serving as a finished product for the enjoyment of its audience.
Mar 7, 2024 · This article delves into the intricacies of screenwriting, examining the unique qualities that distinguish screenplays from traditional literary forms while also exploring the aspects that make a compelling case for their recognition as literary works.
The use of the screenplay as a literary form is not unique to fan authors, however. For some well-known novelists, the use of the screenplay form appears to be a stylistic choice that is either particularly suited to the sort of story they want to tell or that functions to help them compose a distinct literary work— that is a novel.
the screenplay have tended to emphasize its low artistic value and subservi- ence to the film industry, but there are also arguments pointing to the screen- play's autonomy as a text type and its merits as an art form.
