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Like Nos. 1 & 4 (type Q11783 in Search Reviews), Skrowaczewski’s brisk tempos, clear phrasing, and light textures result in some wonderfully refreshing Schumann. Symphony No. 2 is the best of the cycle–a really bracing account that crackles with energy from start to finish.
Stanislaw Skrowaczewski leads a brisk and bracing account of Symphony No. 1 (similar to Zinman’s Tonhalle Orchestra recording), an approach that posits Schumann as an heir to Haydn and Beethoven rather than a prototype of Brahms (or in some hands, Bruckner).
Beethoven: Symphonies Nos. 1 & 4. David Hurwitz. Artistic Quality: 10. Sound Quality: 10. Skrowaczewski is one of those conductors who seems to operate under the radar in the PR-dominated world of classical music performance.
Mar 16, 2014 · The 1889 version of his Symphony no. 3 in D minor that the LPO played this evening was the fruit of this collaboration, and it is this version of the symphony that made its way in Bruckner’s last years and throughout most of the 20th century.
Stanislaw Skrowaczewski and the excellent Saarbrücken Radio Orchestra deliver good performances of the Bruckner symphonies throughout this appealing series of performances, recorded over a period of ten years.
Stanislaw Skrowaczewski conducts Bruckner's Symphony No. 5. It’s possible to be too preoccupied with architecture in Bruckner. This was a man who described himself as ‘fiery’, and christened his Fourth Symphony ‘Romantic’. As for the monumental Fifth, in private Bruckner referred to this as his ‘Fantastic’ Symphony.
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The recorded music catalogue boasts more good performances of the Symphony now than used to be the case a few years ago, and the arrival of this excellent performance on Arte Nova, by the Saarbrücken Radio Symphony Orchestra under Stanislaw Skrowaczewski, strengthens the position still further.
