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      • Shutter Island is a fiercely twisted, complex film built on a foundation of character-driven emotion. Those who think of Scorsese only as that guy who makes gangster movies will undoubtedly be disappointed, but if you’re interested in more than seeing how many guns can fit inside a violin case, then Shutter Island delivers.
      www.cinemablend.com/reviews/Shutter-Island-4462.html
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  2. The implausible escape of a brilliant murderess brings U.S. Marshal Teddy Daniels (Leonardo DiCaprio) and his new partner (Mark Ruffalo) to Ashecliffe Hospital, a fortress-like insane asylum...

    • Reviews

      Shutter Island is a very well made film that captures the...

    • Buried

      A civilian truck driver in Iraq, Paul Conroy (Ryan Reynolds)...

  3. It stars Leonardo DiCaprio and Mark Ruffalo, with Ben Kingsley, Max von Sydow and Michelle Williams in supporting roles. The film had its wide release on February 19, 2010 and received generally positive reviews from critics.

    • The Island Is Bigger
    • Rachel Solando’S Cave Hideout
    • Teddy’s Likability
    • Teddy’s Final Question
    • Which Works Better

    The eponymous setting of the original Shutter Island novel is described as being extremely small, so much so that no one would be able to evade the detection of the facility’s guards for long. While not quite limited to just the facility itself, the Shutter Island of the book does consist of only a small forest, the facility, some cliffs, the facil...

    The note that leads Teddy to Rachel Solando is not as easy to decipher in the Shutter Island novel as it is in the movie. In the latter, Rachel’s note is quickly deciphered so that the action can remain propulsive and fast-paced, with Scorsese keeping the story progressing at a clip to keep the tension high. In Lehane’s source novel, Teddy needs mo...

    In the original novel version of Shutter Island, Teddy isn’t as likable as he is in the movie adaptation. Part of this is down to Scorsese’s ability to make anyone from unrepentant scumbag Henry Hill to unhinged kidnapper Robert Pupkin into a likable protagonist, but part of it is also likely intentional on Lehane’s part. The crime author doesn’t g...

    Scorsese's Shutter Island changed the book's ending. After the bombshell revelation that Teddy is no Marshall, but rather a patient, at Shutter Island, the novel closes on a downbeat note as the character admits to his crimes and opts to have an experimental lobotomy treatment performed on himself rather than live with his guilt. In the movie, thin...

    Depending on the experience that an audience member is hoping for, there’s an argument to be made for both Shutter Island the novel and the Scorsese movie. The movie is perfect for anyone who wants a heightened Hitchcock homage, a fast-paced gothic thriller filled with dutch angles and Giallo style staging, The movie’s characters may be thinly-sket...

    • Senior Staff Writer
  4. The good news is that Shutter Island carves out a place of its own in his resume. While no Goodfellas or Raging Bull or Taxi Driver, I have no problem placing Shutter side by side The Last Temptation of Christ and Bringing Out the Dead. The cinematography is bright and gorgeous.

  5. Feb 17, 2010 · Shutter Island, we’re told, is a remote and craggy island off Boston, where a Civil War-era fort has been adapted as a prison for the criminally insane. We approach it by boat through lowering skies, and the feeling is something like the approach to King Kong’s island: Looming in gloom from the sea, it fills the visitor with dread.

  6. Jun 8, 2010 · SHUTTER ISLAND is a great-looking, highly stylized, very intense thriller in the vein of Martin Scorsese's earlier Cape Fear (1991). The film was directed by the legendary Scorsese and adapted from a novel by Dennis Lehane ( Mystic River , Gone Baby Gone ).

  7. 16 minutes ago · Shutter Island isn’t quite a horror film, nor a supernatural one. But with a period setting that freely evokes another era’s grotesque medical treatments, not to mention a protagonist holding the loosest of grips on sanity, it draws Scorsese closer to genre territory than almost any other film in the iconic director’s vast catalog.

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