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Box office. $12,872 [2] Sequin in a Blue Room is a 2019 Australian independent queer coming-of-age, mystery and drama film directed by Samuel Van Grinsven, in his feature film debut. It was written by Van Grinsven and Jory Anast. The film stars Conor Leach in his feature film debut, Simon Croker, Anthony Brandon Wong and Jeremy Lindsay Taylor.
Apr 8, 2021 · The opening credits declare that Sequin in a Blue Room is “a homosexual film by Samuel van Grinsven”, a clear reference to New Queer Cinema director Gregg Araki (The Living End, 1992; Totally F***ed Up, 1993), although Van Grinsven’s film is tonally very different from Araki’s slacker comedies.
In one scene, Sequin connects with a mysterious stranger, but they are separated suddenly. Utterly fixated on this man, Sequin sets off on an exhilarating and perilous mission to track him down. Cowritten by Jory Anast and Samuel Van Grinsven, Sequin in a Blue Room is a highly-accomplished queer coming-of-age tale and a breath of fresh air from the Australian independent film scene.
Sequin in a Blue Room. 2019 1h 20m Drama. List. 93% Tomatometer 28 Reviews. 67% Popcornmeter Fewer than 50 Ratings. NEW. A teenager tries to track down a man he met at an anonymous sex party ...
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- Conor Leach
- Samuel Van Grinsven
- Drama
May 21, 2021 · ‘Sequin in a Blue Room’ Review: A Striking, Highly Stylized Plunge Into 21st-Century Gay Hookup Culture Newcomer Conor Leach dives into the deep end in director Samuel Van Grinsven's slick ...
Apr 11, 2021 · With Sequin in a Blue Room available on demand in the UK now from Peccadillo Pictures, ahead of its US release on May 17th, The Queer Review’s editor James Kleinmann had an exclusive conversation with queer filmmaker Samuel Van Grinsven about being inspired by the New Queer Cinema movement, the intersection of digital technology and young gay men, only listening to lines of his lead actor ...
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May 18, 2021 · The opening credits for “Sequin in a Blue Room” describe it as “A Homosexual Film By Samuel Van Grinsven,” a clear homage to pioneering gay filmmaker Gregg Araki, who used to introduce movies like “The Living End” and “The Doom Generation” in a similar manner. While Araki was presumably an influence on Van Grinsven, who also co-wrote the screenplay, this film is far more ...
