Krishna/Chaipu
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Roger Ebert. October 28, 1988. 5 min read. The history of the making of “Salaam Bombay!” is almost as interesting as the film itself. The filmmakers gathered a group of the street children of Bombay and talked with them about their experiences, visiting the streets and train stations, bazaars and red-light districts where many of them lived.
Jun 18, 2021 · Salaam Bombay! ranks with the masterpieces of neo-realism. Mira Nair’s stunning debut exploring the lives of Indian street children carries the narrative’s rich ambiguity through to its final scene, as Alex Dudok de Wit wrote in this piece first published in our October 2017 issue. “Indian cinema can sometimes be lazily presented as a ...
Salaam Bombay! deserves a broad audience, not just to open American eyes to plights of hunger and homelessness abroad, but to open American minds to the vitality of a cinema without rim shots and ...
NEW. After destroying his older brother's motorbike in retaliation for his constant bullying, 11-year-old Krishna (Shafiq Syed) is sent to a traveling circus to earn money to pay for the bike's ...
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- Shafiq Syed
- Mira Nair
- Drama
Mar 30, 2009 · With a background in documentary filmmaking, Nair shot Salaam Bombay! entirely on location, after first conducting workshops among Bombay’s real-life street children and using their true stories as the basis for her screenplay. This, too, is how she found her young star, the remarkable Syed.
est. $7.5 million (overseas) Salaam Bombay! is a 1988 Indian Hindi -language drama film, directed, co-written and co-produced by Mira Nair. The screenwriter was Nair's creative collaborator Sooni Taraporevala. This was the first feature film directed by Nair. The film depicts the daily lives of children living in slums in Bombay (now Mumbai ...
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The sad thing is that, more than 30 years later, there are still so many youngsters living in the same conditions as his on-screen alter ego. Tough, uncompromising, touching and so very moving, Salaam Bombay! remains an important film and has lost none of its impact. Performances 8. Direction 7. Screenplay 8. Soundtrack 8. Originality 7. Extras 6.
