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  1. en.wikipedia.org › wiki › La_chimeraLa chimera - Wikipedia

    La chimera (Italian: [la kiˈmɛːra], meaning "The Impossible Dream") is a 2023 period comedy-drama film written and directed by Alice Rohrwacher. The film stars Josh O'Connor as a British looter who gets involved in an international network of stolen Etruscan artifacts during the 1980s. Carol Duarte, Vincenzo Nemolato, Alba Rohrwacher and ...

  2. Apr 10, 2024 · But don’t mistake La Chimera for a woozy Italian tourism advert—Rossellini’s mansion is near-Gothic in its decrepitude, and Arthur himself lives in a corrugated-tin shanty, perched precariously around the margins of his walled hometown. Even though the film is itself a period piece, with some fab early 1980s hair, makeup and fits, its emphasis is on long-lost wonders of the past—of an ...

  3. May 8, 2024 · La Chimera is a charming tale of history and myth. Alice Rohrwacher’s playful, Palme d’Or-nominated film about tomb raiders summons the ghosts of Italy’s past. The Italian writer-director Alice Rohrwacher’s first feature, Corpo Celeste, was concerned with the heavenly realms above. Her fourth, La Chimera, nominated for the Palm d’Or ...

  4. May 10, 2024 · The film “La Chimera” by Alice Rohrwacher, starring Josh O’Connor and Isabella Rossellini, explores the world of Italy’s “tombaroli” grave robbers, and the black market they fueled.

  5. May 9, 2024 · La Chimera is a story of Italy’s Great Raid, a 1980s phenomenon that saw hundreds of ancient Etruscan tombs looted by tombaroli (tomb raiders). These crypts had been considered sacred for over 2,000 years, left intact by locals out of reverence for the dead. But a cultural shift, brought on by the hyper-charged capitalism of the era, saw ...

  6. La chimera, which, as in English, means something like ‘the unrealisable dream’, is the latest film from Italian writer/director Alice Rohrwacher (The Wonders, Happy as Lazzaro).

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  8. Mar 28, 2024 · At the heart of “La Chimera” is the question of how we bear the weight of the past while living in the present, and the answer that Rohrwacher settles on strikes me as both sensible and ...

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