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1. onlinelibrary.wiley.com › doi › 10Fellini's La Strada as Transitional Film: The Road From ...

   onlinelibrary.wiley.com › doi › 10

   Aug 4, 2011 · Fellini's. La Strada. as Transitional Film: The Road From Classical Neorealism to Poetic Realism. PHILIP BOOTH. First published: 04 August 2011. https://doi.org/10.1111/j.1540-5931.2011.00858.x. Read the full text. PDF.

2. onlinelibrary.wiley.com › doi › absFellini's La Strada as Transitional Film: The Road From ...

   onlinelibrary.wiley.com › doi › abs

   Aug 4, 2011 · Fellini's La Strada as Transitional Film: The Road From Classical Neorealism to Poetic Realism

   • Author: Philip Booth

   • Publish Year: 2011

3. theconversation.com › fellinis-la-strada-a-visionFellini’s La Strada: a vision of masculinity and femininity ...

   theconversation.com › fellinis-la-strada-a-vision

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   Jun 9, 2017 · The unconventional love story between the brutal, emotionally illiterate strongman, Zampanò (Anthony Quinn) and simple, loving Gelsomina (Giulietta Masina) explores masculine and feminine...

   • Author: Danielle Hipkins

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     La Strada (1954) - a masterpiece from one of the world's great directors

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5. www.researchgate.net › publication › 230308167Fellini's La Strada as Transitional Film: The Road From ...

   www.researchgate.net › publication › 230308167

   The disputed question of the alleged political character of New Comedy finds its most suitable approach in viewing the transition from the Classical to the Hellenistic age not as a break, but as...

6. faroutmagazine.co.uk › federico-fellini-la-stradaWhy 'La Strada' is the greatest road movie of all time

   faroutmagazine.co.uk › federico-fellini-la-strada

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   Sep 6, 2021 · Starring the charming Giulietta Masina as a naive girl called Gelsomina, Federico Fellini's 1954 gem La Strada chronicles the absurd brutality of life.

7. ianlcahoon.wordpress.com › 2013/12/03 › federicoFederico Fellini’s Transcendental Exodus: Poetic Realism in ...

   ianlcahoon.wordpress.com › 2013/12/03 › federico

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   Dec 3, 2013 · There is a certain point in Federico Fellini’s film career that is historically seen as a “transitional” period for the director where he moves away from the Italian Neo-realism of his roots (in filmmaking) and continues on to establish a style of boundless multi-textual poetic realism.

8. People also ask

   Is Federico Fellini a 'transitional' filmmaker?

   • There is a certain point in Federico Fellini’s film career that is historically seen as a “transitional” period for the director where he moves away from the Italian Neo-realism of his roots (in filmmaking) and continues on to establish a style of boundless multi-textual poetic realism.

   Federico Fellini’s Transcendental Exodus: Poetic Realism

   ianlcahoon.wordpress.com/2013/12/03/federico-fellinis-transcendental-exodus-poetic-realism-in-la-strada/

   See all results for this question

   How did Fellini define'realism' in La Strada?

   • This leads Fellini to define ‘realism’, in a film such as La Strada, in terms of the portrayal of two people who ‘reach out and find one another’, and, thereby, rescue a relationship which, otherwise, would become ‘indifferent, isolated and impenetrable’:

   Post-war Italian Realist Cinema – Literary Theory and Criticism

   literariness.org/2018/08/05/post-war-italian-realist-cinema/

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   Is La Strada a phenomenological cinematic realism?

   • This ambivalent, metaphorical synthesis of the individual and the social, the intuitive and the critical, places Fellini’s work as a whole, and a film like La Strada, in particular, squarely within the framework of Bazinian, phenomenological cinematic realism. Much the same is true of the films of Michelangelo Antonioni.

   Post-war Italian Realist Cinema – Literary Theory and Criticism

   literariness.org/2018/08/05/post-war-italian-realist-cinema/

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   What is the movie 'La Strada' about?

   • The movie 'La Strada' is about a period in Fellini's filmmaking career that predates his descent into the world of dreams and nightmares. It exists in a liminal space between the tradition of Italian neorealism and Fellini’s future experiments with the cinematic medium.

   Why 'La Strada' is the greatest road movie of all time - Far Out Magazine

   faroutmagazine.co.uk/federico-fellini-la-strada-greatest-road-movie/

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   Is 'La Strada' a road film?

   • 'La Strada' is a road film. It succeeds enormously in this genre, even after all these decades, because the problems it poses are timeless.

   Why 'La Strada' is the greatest road movie of all time - Far Out Magazine

   faroutmagazine.co.uk/federico-fellini-la-strada-greatest-road-movie/

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   Would Bondanella have enjoyed Fellini's 'La Strada' restoration?

   • Bondanella would have appreciated the new digital restoration of Fellini’s 'La Strada', which has just been restored and released by Studiocanal/Independent Cinema Office.

   Fellini's La Strada: a vision of masculinity and femininity that still

   theconversation.com/fellinis-la-strada-a-vision-of-masculinity-and-femininity-that-still-haunts-us-today-79120

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9. literariness.org › 2018/08/05 › post-war-italianPost-war Italian Realist Cinema - Literary Theory and Criticism

   literariness.org › 2018/08/05 › post-war-italian

   Aug 5, 2018 · This ambivalent, metaphorical synthesis of the individual and the social, the intuitive and the critical, places Fellini’s work as a whole, and a film like La Strada, in particular, squarely within the framework of Bazinian, phenomenological cinematic realism.