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  1. Crooklyn. PG-13 1994 1h 52m Drama CTA List. 79% Tomatometer 34 Reviews 90% Popcornmeter 10,000+ Ratings. As her teacher mother, Carolyn (Alfre Woodard), and her jazz musician father, Woody (Delroy ...

    • (34)
    • Spike Lee
    • PG-13
    • Alfre Woodard
  2. Crooklyn, a gentle and touching tale of growing up in a melting-pot neighborhood of Brooklyn in the Partridge Family era, shows a different, more sentimental side of that cinematic firebrand ...

  3. CROOKLYN isn't Spike Lee's greatest, but it comes very close. Parts of the film hit so close to home with me - the sense of community so vividly depicted, and the 70s soul music (which is nearly ubiquitous through CROOKLYN) makes this film something much like a musical, with the grit and intimacy of Lee's visual realism constantly balanced against the idealism and romanticism of the music.

  4. en.wikipedia.org › wiki › CrooklynCrooklyn - Wikipedia

    Crooklyn is a 1994 American semi-autobiographical film produced and directed by Spike Lee, who wrote it with his siblings Joie and Cinqué. Taking place in the Bedford–Stuyvesant neighborhood of Brooklyn, New York , during the summer of 1973, [ 2 ] the film primarily centers on a young girl named Troy Carmichael (played by Zelda Harris ), and her family.

  5. May 28, 2024 · IndieWire talks to 'Crooklyn' co-writers Joie and Cinque Lee, plus stars Delroy Lindo, Zelda Harris, and more about Spike Lee's 1994 classic.

  6. Jul 11, 2024 · Reviews of Crooklyn 1994. A beautiful film portraying the reconstructed memories of legendary filmmaker Spike Lee's life in 1970s Brooklyn. Truly a time machine, capturing the essence of life in one of the most iconic places during an unforgettable decade. Thank you, Spike Lee, for this stunning creation, for taking us back to a simpler time ...

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  8. At first glance, Crooklyn appears less focused than Spike Lee’s previous films — it seemingly meanders without much overarching plot for its first two thirds, then crams a surprising amount of drama into the final act. The performances rule, but the pacing feels off, and scenes transpire without much regard for what precedes or follows them.

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