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- Kaleem Aftab. Critic, UK. Beginning. Light from the Chocolate Factory. Gunda. Paris Calligramme. Possessor. Cidade Pássaro (Shine Your Eyes) Monday. Quo Vadis, Aida? Soul.
- Geoff Andrew. Programmer-at-large, BFI Southbank, UK. The Disciple. The Truth. About Endlessness. Uppercase Print. Lovers Rock. Henry Glassie: Field Work. Never Gonna Snow Again.
- Michael Atkinson. Critic, USA. I’m Thinking of Ending Things. The Wolf House. Vast of Night. Beanpole. The Nest. Bacurau. First Cow. Vivarium. Fire Will Come. She Dies Tomorrow.
- Erika Balsom. Critic and scholar, UK. The Year of the Discovery. Days (Rizi) I Was at Home, But… First Cow. Apiyemiyeki? The Works and Days (of Tayoko Shiojiri in the Shiotani Basin)
- Sam Haysom
- shaysom@mashable.com
- His House. The best types of horror films are more than just a trickbox of scares. Some are character studies, others explore deeper themes or grapple complex social issues, and a few manage to move you in more ways than just a raising of the pulse.
- Ammonite. On a windswept cliff in 19th century England, two unfulfilled women chance to meet. One is Mary Anning (Kate Winslet), a paleontologist whose gender keeps her out of the higher echelons of her field, even as male scientists enthuse over her findings; the other is Charlotte Murchinson (Saoirse Ronan), a wealthy woman unhappily married to one of those scientists, who's put in Mary's care by her husband.
- Host. There's a reason everyone's been talking about Host. Aside from the film's juicy 100 percent rating on Rotten Tomatoes, director Rob Savage's idea (which all started with a scary viral tweet) is a brilliantly timely one: a horror film shot entirely over a video call, sort of like a Zoom séance version of The Blair Witch Project.
- Rocks. Suffragette director Sarah Gavron’s coming-of-age film Rocks was one of the most talked-about films of the year in the UK, and for good reason.
Dec 14, 2020 · To say that 2020 has been a strange year is an understatement. Many who work in screen production, the arts, and the the creative sectors more broadly have suffered from cancellations, loss of income, delays, disconnection, and the associated stresses of pandemic life.
- Anthony Lambert
- 2020
Apr 23, 2021 · 2020 was a strange year for Hollywood film releases but it was also, "the industry's most successful year on the diversity front". That's according to a report by UCLA which also found movie ...
Jan 9, 2021 · Obviously 2020 was a very unusual year and you can see that reflected in what I watched. You’ll notice, for example, that I didn’t watch very many movies in June. I also only watched three films in September due to the passing of my Grampa and all that that entailed.
Dec 16, 2020 · 2020 was a strange year for movies, as the COVID-19 pandemic shut down movie theaters, paused productions, and shifted the entire year’s movie release schedule. Many of the year’s biggest ...
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Jan 17, 2021 · 2 020 was a very strange year for movies. Most theaters in the United States have been closed since March in light of the COVID-19 pandemic, forcing studios to push most of its offerings into 2021 at the earliest. While it may seem like a bare year for cinephiles, there was still plenty to enjoy.
