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      • BPM is one of the best movies on the AIDS crisis, joining another excellent French film, SAVAGE NIGHTS (1992) on that list. It's difficult, it's sometimes hard to watch, but, it's refreshingly alive unlike all too many films these days.
      www.imdb.com/title/tt6135348/reviews
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  2. Apr 6, 2018 · Film of the week: 120 BPM is an enthralling, devastating call to action. Robin Campillo’s superb story of Aids activists in the 1990s is more than just a revelatory period piece – it’s a celebration of sex, dance and the invigorating value of collective resistance. One of Sight & Sound’s best films of 2018. Ben Walters.

  3. 120 Beats per Minute (BPM) review: queer lives honoured. Robin Campillo’s drama gives life, joy and distinction to the struggles of France’s Act Up AIDS activists of the early 1990s.

  4. BPM (Beats per Minute), also known as 120 BPM (Beats per Minute), [a] (French: 120 battements par minute) is a 2017 French drama film directed by Robin Campillo and starring Nahuel Pérez Biscayart, Arnaud Valois and Adèle Haenel. The film is about the AIDS activism of ACT UP Paris in 1990s France.

  5. Apr 5, 2018 · A big hit at last year’s Cannes, this is terrifically agile and affecting filmmaking: at the risk of sounding worthy – something this film most assuredly is not – it’s a glorious tribute to a pioneering generation of Aids activists. 120 BPM is in cinemas from April 6.

    • Edward Lawrenson
  6. Apr 6, 2018 · 120 BPM (Beats Per Minute) Review. It’s the early ’90s, and AIDS is killing in droves. In Paris, activist group ACT UP take on the government and pharmaceutical business, conflicted on how to...

  7. Apr 6, 2018 · 120 BPM review - stirring portrait of French activism in the age of AIDS. Cannes prize-winner deftly mixes the personal and the political. by Matt Wolf Friday, 06 April 2018. Impassioned: Arnaud Valois (centre) in '120 BPM'

  8. Jan 3, 2021 · 120 BPM (Beats per Minute) — FILM REVIEW. A social document and a love story built around the advocacy group ACT UP-Paris in the 1990s. This deeply personal and remarkable film is the work of Robin Campillo, the French scriptwriter who has frequently collaborated on the films of Laurent Cantet.

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