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      • Roger Ebert of the Chicago Sun-Times wrote the film "has a good heart and some fine performances, but is too muddled at the story level to involve us emotionally. It's a sweet film. The relationship between Sarah and Fielding is a little deeper and more affectionate than we expect in plot-driven melodramas ".
      en.wikipedia.org/wiki/Waking_the_Dead_(film)
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  2. What I do know is that “Waking the Dead” has a good heart and some fine performances, but is too muddled at the story level to involve us emotionally. It’s a sweet film. The relationship between Sarah and Fielding is a little deeper and more affectionate that we expect in plot-driven melodramas.

  3. I recommend this for anyone interested in drama. The plot jumps around from the 70s to the 80s and back, so if that bothers you, don't watch it. I'd also like to hear about peoples' opinions on it, different interpretations, and anything I missed.

  4. Jun 30, 2009 · Waking The Dead – Movie Review. Waking the Dead opens with Fielding Pierce (Billy Crudup) watching a newscast in which he learns that the love of his life has been killed in a car-bombing...

  5. To find 2000's finest, most nail-on-the-head perfect film, you'll need to look a little deeper. A small film that only enjoyed limited release in theaters and isn't getting much attention on DVD either, is Keith Gordon's latest, `Waking the Dead'.

  6. Waking the Dead is a 2000 mystery drama film directed by Keith Gordon and starring Billy Crudup and Jennifer Connelly. The screenplay by Robert Dillon is based on the 1986 novel of the same name by Scott Spencer.

  7. Fielding Pierce (Billy Crudup) has long been on the road to political candidacy. After the Coast Guard, he enrolls in law school and meets firebrand activist Sarah Williams (Jennifer Connelly).

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  8. Mar 24, 2000 · Waking the Dead Reviews - Metacritic. Summary A lawyer (Crudup) running for Congress starts seeing visions of his dead girlfriend (Connelly) and believes he might be losing his mind. Drama. Mystery. Romance. Thriller. Directed By: Keith Gordon. Written By: Scott Spencer, Robert Dillon.

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