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Dix Handley
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- Retrospective reviews of the film have been highly positive, with several critics describing it as one of the most influential works in the crime film genre, and one of John Huston's best films.
en.wikipedia.org/wiki/The_Asphalt_Jungle
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The Asphalt Jungle. Recently released from prison, Dix Handley (Sterling Hayden) concocts a plan to steal $1 million in jewels. Dix gathers a team of small-time crooks, including a...
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The Asphalt Jungle is a study in crime, hard-hitting in its...
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The Asphalt Jungle Pictures and Photo Gallery -- Check out...
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Recently released from prison, Dix Handley (Sterling Hayden)...
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The Asphalt Jungle is a 1950 American heist film noir directed and co-written by John Huston, and starring Sterling Hayden and Louis Calhern, with Jean Hagen, James Whitmore, Sam Jaffe, John McIntire, and Marilyn Monroe in one of her earliest roles. [4]
The Asphalt Jungle: Directed by John Huston. With Sterling Hayden, Louis Calhern, Jean Hagen, James Whitmore. A major heist goes off as planned, but then double crosses, bad luck and solid police work cause everything to unravel.
- (30K)
- Crime, Drama, Film-Noir
- John Huston
- 1950-05-12
Shady and realistic, The Asphalt Jungle is as thrilling as thrillers get, with great use of proven actors like Sterling Hayden, James Whitmore and Sam Jaffe, perfect theme music from Miklós Rozsa and lighting expertise of five-time Oscar nominee Harold Rosson.
'The Asphalt Jungle' must therefore be seen as the most influential crime movie of the modern era, and the blueprint for every subsequent caper movie ('The Anderson Tapes', 'Thief', 'Reservoir Dogs', 'The Usual Suspects', 'The Score',etc.etc.) This superb film noir is almost impossible to fault.
One of the best-known examples of film noir, John Huston's Asphalt Jungle follows the trail of an infamous heist-meister, fresh out of jail, and his plans to pull off one last score before retirement.
Dec 13, 2016 · All the main points of plot and motivation are set out explicitly and at length in the novel. Yet the film has a spare beauty that Burnett’s book only partly suggests. Mostly this has to do with what Huston and screenwriter Ben Maddow leave out. For one thing, they give little time to the police.
