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- Ivanhoe, Sir Walter Scott’s 1819 novel set in late twelfth-century England, has a claim to being the most influential novel of the entire nineteenth century. It was hugely popular, and remains so, with such figures as Tony Blair and Ho Chi Minh both declaring it their favourite novel.
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Ivanhoe, Sir Walter Scott’s 1819 novel set in late twelfth-century England, has a claim to being the most influential novel of the entire nineteenth century. It was hugely popular, and remains so, with such figures as Tony Blair and Ho Chi Minh both declaring it their favourite novel.
- Sir Walter Scott – Interesting Literature
By Dr Oliver Tearle (Loughborough University) Ivanhoe, Sir...
- Sir Walter Scott – Interesting Literature
Ivanhoe: A Romance (/ ˈ aɪ v ən ˌ h oʊ /) by Walter Scott is a historical novel published in three volumes, in December 1819, as one of the Waverley novels. It marked a shift away from Scott's prior practice of setting stories in Scotland and in the more recent past.
- Walter Scott
- 1820
Ivanhoe, historical romance by Sir Walter Scott, published in 1819. It concerns the life of Sir Wilfred of Ivanhoe, a fictional Saxon knight. Despite the criticism it has received because of its historical inaccuracies, the novel is one of Scott’s most popular works.
- The Editors of Encyclopaedia Britannica
The best study guide to Ivanhoe on the planet, from the creators of SparkNotes. Get the summaries, analysis, and quotes you need.
About Ivanhoe. The title of Sir Walter Scott's most popular and best-known novel is derived from an old rhyme which records the names of three manors forfeited by a nobleman for striking the Black Prince with his tennis racket. "Tring, Wing, and Ivanhoe" were the three estates. Scott chose "Ivanhoe" for two reasons: it has an ancient English ...
With its scenes of jousting knights, burning castles, and damsels in distress, Ivanhoe is one of the most popular historical romances of all time. Walter Scott was first and foremost a storyteller, and Ivanhoe is his greatest tale.
In Ivanhoe, Scott skillfully undermines the alienating characteristics of the medieval gothic while taking advantage of its familiarity to and popularity with nineteenth-century audiences.
