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Floyd E. Norman (born June 22, 1935) [1] is an American animator, writer, and cartoonist. Over the course of his career, he has worked for various animation companies, among them Walt Disney Animation Studios, Hanna-Barbera Productions, Ruby-Spears, Film Roman and Pixar.
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Award-winning animator and cartoonist known for his work on legendary Disney films such as Sleeping Beauty, The Jungle Book, and Monsters, Inc. His long and illustrious artistic career has led him to work with companies like Pixar and Hanna-Barbera.
He began his career as an assistant to Katy Keene comic artist Bill Woggon before becoming an inbetweener on Sleeping Beauty.
In 1999, he co-founded the multicultural website AfroKids.com, a company geared towards creating a relatable outlet for African-American children.
He helped to create the animated television special Hey, Hey, Hey, It's Fat Albert alongside Bill Cosby.
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- June 22, 1935
- Santa Barbara, California
Floyd E. Norman is an American animator, who worked on the Walt Disney animated feature films Sleeping Beauty, The Sword in the Stone, and The Jungle Book, along with various animated short projects at Disney in the late 1950s and early 1960s. In 1956, he was the first non-white animator at the Disney studios.
Floyd Norman. Floyd Norman was born on 22 June 1935 in Santa Barbara, California, USA. He is a writer, known for The Hunchback of Notre Dame (1996), Mulan (1998) and Dinosaur (2000).
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- 3 min
- Santa Barbara, California, USA
Aug 26, 2016 · If you've seen Sleeping Beauty, The Jungle Book or the Toy Story movies, you've seen the work of animator Floyd Norman; for decades, he has helped bring Disney and Pixar classics to life.
- Noor Wazwaz
Nov 5, 2007 · Animator and script writer Floyd Norman was born on June 22, 1935 in Santa Barbara, California. He began producing animated films while he was still in high school. Early in his career, Norman worked with Bill Woggon on the animated comic book series, Archie.
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Sep 10, 2015 · A successful animated film must have not only entertainment, but it has to have heart, it has to have a emotional resonance when people sit down, and it doesn’t matter whether you’re 5 years old or 55 years old or 85 years old, the picture touches you.
