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- This chapter reviews ways in which improvisation has been understood by musicians and psychologists, setting out key features of different theories and considering the assumptions about improvising that inform them. The chapter defines improvisation as: creative, social, ambiguous, spontaneous, and accessible.
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This chapter reviews ways in which improvisation has been understood by musicians and psychologists, setting out key features of different theories and considering the assumptions about improvising that inform them.
- Improvisation, Action Understanding, and Music Cognition with ...
Action understanding is posited as the foundation of both...
- Improvisation, Action Understanding, and Music Cognition with ...
Action understanding is posited as the foundation of both music cognition and the perception of improvisation, marking both processes as inherently intersubjective, even whether the other’s body is absent or fantasized (as is the case with recorded music).
This chapter reviews ways in which improvisation has been understood by musicians and psychologists, setting out key features of different theories and considering the assumptions about improvising that inform them.
In this book, these questions are explored through an interdisciplinary approach that draws on cognitive neuroscience, the study of historical pedagogical treatises on improvisation, interviews with improvisers, and musical analysis of improvised performances.
- Aaron L. Berkowitz
- 2010
Mar 23, 2018 · Improvisation plays a substantial role within the world’s musical cultures. The purpose of this research was to explore the essence of the experience of confident music improvising. In this phenomenological study, confidence was considered a psychological experience and the confidence of improvisers the phenomenon under examination.
- Daniel J. Shevock
- 2018
This chapter reviews ways in which improvisation has been understood by musicians and psychologists, setting out key features of different theories and considering the assumptions about improvising...
Group musical improvisation, as a spontaneous process of collaborative creativity effected through non-verbal social interaction, is a unique psychological phenomenon and universal capacity. Existing studies focus on improvisation among professional jazz musicians, often using qualitative methods.
