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    • Vulnerable yet optimistic character

      Whiplash: The Duality of Greatness | The Human Front
      • In the opening stages of Whiplash Andrew is portrayed as a vulnerable yet optimistic character. He seems capable of maintaining a balance between his passion for music and a life outside of it, visiting the cinema with his father and cultivating a possible relationship with a woman he admires.
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  2. Mar 30, 2023 · This post includes a character analysis of Andrew Neiman, the protagonist of Whiplash (2014). Directed by Damien Chazelle, the 2014 drama stars Miles Teller as Andrew Neiman, an aspiring drum player studying at the fictional New York Shaffer Conservatory .

  3. May 8, 2020 · The following piece is an analysis regarding the depiction/ development of the two main characters in the film Whiplash (2014), Andrew Neimann and Terence Fletcher. I will discuss how three ...

  4. Summary. We hear a snare drum playing, faster and faster. At the end of a dimly lit hallway, a young man, Andrew, sits at a drum set practicing furiously. Suddenly, an older man, Terence Fletcher, comes in and asks Andrew his name and what year he’s in at the school. He’s a first-year.

  5. Andrew is a few years away from suicide by drugs or depressionconsider the way Andrew has already acted throughout the film: he's shown he'll do what it takes, even if it means walking away from a fucking car wreck.

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    Abuse of students by teachers is a real problem in music education. The Venezuelan massive music education project El Sistema, once hailed as a social program, has since been described as “a model of tyranny”. In March 2013 Michael Brewer, a former music teacher at Chetham’s school of music was jailed for 6 years after abusing a student who took he...

    Compare Whiplash. Terence Fletcher is very much a cartoon villain. He physically assaults and publicly humiliates his students, and fires off homophobic and anti-semitic insults like an unintentional parody of Joe Pesciin a Martin Scorsese film, or anything scripted by David Mamet. All of which he justifies (at least outwardly) by the old lie that ...

    It is important to note that the conservatory environment portrayed here belongs historically to classical musicians. While jazz has occasionally been taught in such institutions ever since the first course in Frankfurt in 1928, it has remained marginal until quite recently. Juilliard, for example, first offered jazz courses in 2001 and few big nam...

    The rather hollow “victory” achieved at the end of the film by Neiman (in a tour de forceof filming as well as playing) could be argued to have legitimised Fletcher’s treatment of him. But the lasting message is not optimistic. We find out that a former student, Sean Casey, likely hanged himself in response to his treatment by Fletcher. This is far...

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  6. Jul 26, 2023 · Andrew’s journey is punctuated by exhilarating highs and crushing lows, while Fletcher’s intense teaching methods border on emotional abuse. The characters and their dynamic carry the story,...

  7. • When he calls to Andrew the camera whip-pans between them, instead of the more traditional cutting. This camera movement is the same as during many of their practice scenes as Fletcher ‘inspires’/bullies Neiman. It suggests that, even in this new situation with a much gentler-seeming Fletcher that the fear, intimidation

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