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Jubilantly, Malvolio vows to do all these things in order to show Olivia that he loves her in return. After Malvolio leaves, Sir Toby remarks that he “could marry this wench [Maria] for this device. . . . And ask no other dowry with her but such another jest” (II.v. 158–160). Maria then rejoins the men, and she, Sir Toby, and Fabian have ...
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Why does Viola disguise herself as a boy? Why is Olivia...
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Hiding in the tree, Sir Toby, Sir Andrew, and Fabian try to suppress their laughter, as Malvolio fantasizes about how wonderful it would be to marry Olivia and become a count. Suddenly, Malvolio breaks off: he has caught sight of the letter that Maria planted in his path.
Viola realizes Olivia's game after Malvolio leaves: "She loves me, sure; the cunning of her passion. Invites me in this churlish messenger" (II.ii21-22). Olivia explains her purposes behind...
Then, after Cesario leaves, she sends Malvolio after him with a ring—a token of her attraction to Cesario—that she pretends Cesario left with her. Olivia, to her own surprise, finds that she has fallen passionately in love with young Cesario.
Olivia, who sent a servant after the departing Viola (disguised as Cesario) to persuade him to return, tries to figure out how to woo him to love her. Feeling suddenly melancholy, Olivia sends for Malvolio because she wants someone solemn and sad to help with her strategy.
In her first encounter with Olivia, Viola comically alternates between an apparently prepared eulogy – Most radiant, exquisite, and unmatchable beauty (line 141) – and the deflating commentary of I would be loath to cast away my speech (lines 142–3) as if she is not addressing it to the right woman. She is not quite disrespectful with ...
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While this scene does not advance the plot, it does show us how intricately Viola is caught up in the entanglement. She suddenly realizes that Olivia has fallen in love with an exterior facade — and not with the inner person.