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    • In shock

      • The Duchess responds in shock, suggesting that she thinks her brother was using phallic imagery, but claims that he was simply talking about the tongue, which can be used to weave a tale that will convince women of anything. He calls her a “lusty widow” and then exits.
      www.litcharts.com/lit/the-duchess-of-malfi/act-1-scene-3
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  2. The Duchess responds in shock, suggesting that she thinks her brother was using phallic imagery, but claims that he was simply talking about the tongue, which can be used to weave a tale that will convince women of anything. He calls her a “lusty widow” and then exits.

    • Act 2, Scene 1

      It is nine months after the events of Act 1. Bosola and...

  3. Why should you care about The Poniard of Patriarchy in John Webster's The Duchess of Malfi? We have the answers here, in a quick and easy way.

  4. Feb 7, 2024 · For example, if you were exploring the power dynamics between the Duchess and her brothers, then you might wish to consider Act I, Scene III, when the Duchess tries to argue her position with them: “I think this speech between you both was studied,/It came so roundly off.”

  5. This scene also hints, however, that the Duchess will not obey her brothers blindly. She uses her diamond analogy to argue that women who remarry are not so easily condemned or depraved, and when they ignore her, we see her impatience when she demands of them, “Will you hear me?” (1.1.292).

  6. On top of this, the phallic symbol here serves to further emphasise the debauchery and corruption within the court, whilst also presenting Antonio's sexuality and relationship with the duchess as dangerous.

  7. Mar 2, 2024 · Because of the Duchess’s goodness, these surviving characters will “join all” their “force” to ensure that her oldest son has a brighter life. Though the Duchess had few allies to help her against her brothers, her son will now have these men to protect the goodness he inherited from her.

  8. Firstly, he continues to reiterate her status as a Duchess, therefore bound to dutiful practice and secondly as a widow, all in an attempt to passively shame her. He also uses phallic imagery to taunt her (‘What cannot a neat knave with a smooth tale /Make a woman believe’ – 1.3.) 19 , eventually calling her ‘Lusty Widow’ 20.

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