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      • The performers are accompanied by a small ensemble of instruments that are placed on stage to one side. This ensemble is led by principal musicians who must match their tempo, timings, and entrances with the actors on stage. The main melodic instrument, the jinghu, matches the melody of the performer on stage creating a heterophonic texture.
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  2. openwa.pressbooks.pub › bbccworldmusic › chapterJingju – Music of the World

    JINGHU – small, high-pitched two-string spike lute. This instrument is similar to the common erhu in traditional Chinese music, but smaller and higher in pitch. The two strings are bowed by a horsehair bow strung between the two metal strings. This is the main melodic instrument of the ensemble.

  3. Jul 16, 2023 · Jingju, also known as Peking Opera or Beijing Opera, is a form from northern China that was fully formed by the mid-19th century. Jingju is known for its elaborate costuming, complex storytelling, acrobatics, and distinctive sonic characteristics. There are four main roles in the jingju tradition.

  4. JINGHU – small, high-pitched two-string spike lute. This instrument is similar to the common erhu in traditional Chinese music, but smaller and higher in pitch. The two strings are bowed by a horsehair bow strung between the two metal strings. This is the main melodic instrument of the ensemble.

  5. Jinghu, Chinese two-stringed fiddle that is the principal melodic instrument in jingxi (Peking opera) ensembles. The smallest (and therefore highest-pitched) of the Chinese spike fiddles (huqin), the jinghu is about 50 cm (20 inches) in length. Its body is a bamboo tube, covered at the playing end.

    • The Editors of Encyclopaedia Britannica
  6. en.wikipedia.org › wiki › Peking_operaPeking opera - Wikipedia

    The jinghu is the primary accompaniment for performers during songs. Accompaniment is heterophonic – the jinghu player follows the basic contours of the song's melody, but diverges in pitch and other elements.

  7. Dec 21, 2010 · How is Jingju mapped onto non-Chinese bodies? Can Jingju performances by ethnically white performers reflect diasporic identities?

  8. The instrumental resources used in the popular Chinese theater form known as Beijing Opera can be divided into two groups: melodic or lyrical instruments, collectively referred to as the ‘ wenchang’ (‘civil section’); and percussive or military instruments, collectively referred to as the ‘ wuchang’ (‘martial section’).

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