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Tim loads the processed colour negative onto the rollers of the telecine machine and adjusts it to suit the requirements of the film. Colour negative film needs more illumination than other types of film, and so he increases the intensity of the machine’s light beam.
- Filming
For a more comprehensive insight into the preparation and...
- Editing
Editing 16mm film for television The videos highlighted on...
- Processing
The machine spools the film through a number of chemical...
- About
About the ADAPT project 2013-2018. The ADAPT project was...
- Rigging
Rigging the location Putting everything in the right place....
- Project Team
Project Team. John Ellis, professor of media arts at Royal...
- Filming
The idea was to reunite the hugely experienced telecine operator, Jim Gregory, with a Rank Cintel Mark 3 machine dating from the late 1980s: a machine he hadn’t used for many years. We also wanted Pebble Mill’s Jim Gregory, to discuss telecine practices with his Television Centre conterpart, Tim Emblem-English – who still operates the ...
The idea was to reunite the hugely experienced telecine operator, Jim Gregory, with a Rank Cintel Mark 3 machine dating from the late 1980s: a machine he hadn’t used for many years. We also wanted Pebble Mill’s Jim Gregory, to discuss telecine practices with his Television Centre conterpart, Tim Emblem-English – who still operates the ...
- Telecine
- Sound Boom Operation
- Late Night Line Up – Z Cars
Author:
Telecine machines were always referred to as “TKx” (e.g. TK1) in the BBC – perhaps so that there would be no confusion with Television Centre Studios, always referred to as “TCx” (e.g TC1). In the early 1960s, Telecine (TK) was operating from Lime Grove, plus a Mechau at Riverside Studios. Following a big recruitment drive in 1960, there were mainly Technical Operators (TOs) manning the machines. Some recruits had previously been cinema projectionists. TK worked in a two-shift arrangement , w...
Author: Tony Crake
1962 HF Transmitters, Skelton, Cumberland: 1966 TVC Sound Crew: 1978 OBs Sound Crew 2002 Many Sound men (a divisive word if ever there was one) will have lots of information. Here is just one little facet of TV Tech Production that may have been ignored. I started ‘BBC life’ as a trainee engineer in HF Transmitters in 1962. I stayed for 4 years interspersed with many courses and exams at Evesham (Wood Norton Hall, the BBC Engineering Training Department), and then escaped to Television Centre...
Author: Alec Bray
Whether it was because I had expressed some idea of moving into Engineering (“Racks”) as a Technical Assistant, or whether it was part of the normal rotation, I spent some months in Vision Control as a Vision Operator (started on 25th September 1965). This mean sitting in the Lighting and Vision Control Gallery with the Lighting Supervisor, later TM1 (Technical Manager 1). In the Television Centre (TVC), the Lighting Gallery was the other side of the Production Gallery to the Sound Gallery, s...
“Late Night Line Up” looked behind the scenes at “Z-Cars”. Technical Operations in action! Late Night Line Up – Z Cars (use your Browser’s BACK button to return to this page)
May 21, 2018 · The telecine department was involved really with day-to-day transmission, live transmissions from film to air, for things like feature films and documentaries, and such like, and also with film play-ins to studios, film inserts to studios.
Jim Gregory is reunited with a Rank Cintel Mark 3 telecine machine, which he hasn't operated for many years. Jim talks about how telecine worked in the making of studio dramas, on series like Howards' Way, and how telecine was used to broadcast film.
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How does Tim operate the telecine machine?
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This footage was filmed in August 2015 at BBC Studios and Post Production in South Ruislip, London, United Kingdom.BBC archive telecine specialist Tim Emblem-English and retired telecine operator Jim Gregory demonstrated the processes involved in scanning television film footage onto tape for broadcast.This video is part of a series that shows ...
