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  1. In "Out, Out—," Robert Frost employs vivid language, a free-verse structure, and dramatic elements to convey the tragic and abrupt nature of a young boy's...

    • Poetic Techniques
    • Analysis of Out, Out—
    • Structure and Form
    • Historical Context

    ‘Out, Out—’ by Robert Frost is a single stanza poem made up of thirty-four lines. There is no single rhyme scheme or metrical pattern, although a few of the lines, distributed throughout the text, are in iambic pentameter. Frost also makes use of a number of other poetic techniques. These include juxtaposition, alliteration, and enjambement. The fi...

    Lines 1-6

    In the first stanza of ‘Out, Out—‘ the speaker begins by describing, through vibrant, sound-rich adjectives, the presence of a “buzz saw”. It is personifiedthrough its “snarl[ing]” like animals, and “rattl[ing]” as if out of control or is close to falling apart. Then it appears to move on its own. It makes “dust” and drops “stove-length sticks of wood”. From these first lines, a reader can determine that the young boy who is operating the machine is cutting wood for the family’s stove. In the...

    Lines 7-12

    In an immediate and shocking juxtaposition with the peaceful mountain scene, the speaker returns to the saw in the next lines of ‘Out, Out—’. Repetitionis used to reiterate the snarling and rattling of the machine. It interrupts the landscape, reasserting its presence and its place as the main focus of the text. Frost’s speaker describes the way it moves back and forth between light and heavy loads of wood. It seems, at this point, as though it can handle the job that’s been set out for it. T...

    Lines 13-18

    It is in the next section of ‘Out, Out—’ that the climax of the poem takes shape. The sister comes to stand beside her brother and tell him that it’s time to stop work and come in and have supper. As if reacting to the sister’s words, the saw jumps and cuts the boy’s handoff. Frost again utilizes personificationto make to seem as though the saw is an animal acting through its own will. There is an interesting moment in lines seventeen and eighteen in which the speaker goes back and forth betw...

    This narrative poem is set in one long stanza, written in unrhymed iambic pentameter. In the absence of any formal rhymescheme, some rhyme can still be identified in the repetition of the words ‘saw’, ‘hand’, and ‘boy’ which are emphasized throughout. The title is taken from Macbeth’s soliloquy ‘Out out brief candle’in which he ponders the brevity ...

    ‘Out, Out‘ is found in Frost’s anthology Mountain Interval, which was published in 1916. It is said that Frost wrote this poem in response to an account of a young boy’s death which was reported in a local newspaper in March 1901. Frost was often described as being a farmer-poet who could have been seen as an outsider in his rural community of Mass...

    • Female
    • October 9, 1995
    • Poetry Analyst And Editor
  2. Feb 22, 2021 · “ ‘Out, Out—’ ” is one of Frost’s most dramatic and celebrated poems. It was written in memorial to a neighborhood boy Frost knew when he was living in Franconia, New Hampshire. Raymond Tracy Fitzgerald, a 16-year-old twin, lived on the South Road outside of Bethlehem.

  3. May 14, 2024 · “Out, Out—” by Robert Frost explores themes of mortality, the fragility of life, and the indifference of nature through vivid symbolism and imagery, impacting the reader deeply. Narrative and Structure

  4. Mar 12, 2024 · Thesis: Robert Frost’s “The Road Not Taken” explores the inevitability of regret, demonstrating how even choices rooted in individuality carry the bittersweet echo of paths untaken. The Role of Nature

  5. Frost uses imagery to create a sense of realism and to evoke emotions in the reader. For example, the opening lines of the poem describe the setting as “the buzz-saw snarled and rattled in the yard” which immediately creates a sense of danger and foreboding.

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  7. "Out, Out" is a poem by American poet Robert Frost, published in Frost's 1916 collection Mountain Interval and based on a true incident that happened to Frost's friend's son. The poem is set in rural Vermont, where a young boy cutting wood with a buzz saw is called in for "supper" by his sister.

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