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  1. Pete's murder of Horace is a generational fraticide of man on man. It is masculinity murdering itself as men have done throughout all the ages. The story of Cain and Abel set in a bar. It is Pete's repressed anger over a generation that comes back to haunt him and drives him to murder Horace.

  2. Apr 3, 2016 · A young Pete (Nolan Lyons) silently pours his cereal for him as it’s expected, to no reaction from Horace VII; he taunts and hurts a young Horace VIII (Jack Gore), the one legitimate son of...

  3. Apr 5, 2016 · Horace and Pete’s vision is wrenching despite its raggedy unevenness because it plays like a Cassandra-style warning of an implosion that has already begun and will only accelerate, and that...

    • Matt Zoller Seitz
    • Features Writer
  4. Apr 4, 2016 · Ricky’s insistence on declaring Pete dead seems to be setting us up for one kind of ending, where Horace sadly closes the bar and struggles to figure out what to do next.

    • Alan Sepinwall
  5. Apr 6, 2016 · The penultimate episode of Louis CK’s independent television series Horace and Pete, self-released via the comedian’s website over the past ten weeks, ends with a quote from the late Garry Shandling: “The world is too noisy and distracted to probably ultimately survive. Everyone needs to shut the fuck up. The answers are in the silence.

  6. Back at the bar, Horace is very upset about Pete's disappearance and rants at Leon; when Kurt attempts to joke about it Horace physically attacks him. Mayor Bill de Blasio (played by himself) pays an unexpected visit to the bar.

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  8. Apr 4, 2016 · His work is about provoking strong feelings, whether a laugh or a cry or a scare. His FX series, “Louie,” lives by that idea and “Horace and Pete” extended it, drawing strong performances ...

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