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  1. Lyon: By that time, I’d made the civil rights pictures, I’d joined the Outlaws, done the book The Bikeriders, done the work for The Destruction of Lower Manhattan, reached Texas, was working on the Texas prison book. I bought an inexpensive crank-up 16mm Bolex, I think from a hippie woman, and I took it into the prison, just to try shooting some footage.

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  2. One of the best-known photojournalists today, during his fifty-year career Lyon produced numerous books and nonfiction films that captured politically-charged subjects, ranging from the bikers in the Chicago Outlaw Motor Cycle Club and prisoners in a Texas prison to the razing of Lower Manhattan in 1966–1967 and the 1986 Haitian Revolution.

  3. Jun 21, 2024 · This still from The Bikeriders is a recreation of Danny Lyon's photo Benny at the Stoplight, Cicero, ... The first half follows a group of misfits finding a family; much like Lyon’s book, it is ...

    • Ellen Wexler
  4. Jun 21, 2024 · Photographs by Danny Lyon. $ 40.00. 1. $ 40.00 Add to cart. Description. The inspiration behind the new film with Austin Butler, Jodie Comer, Tom Hardy, Michael Shannon, and Mike Faist First published in 1968, and now back in print for the first time in ten years, The Bikeriders explores firsthand the stories and personalities of the Chicago ...

  5. May 10, 2024 · Photographer and filmmaker Danny Lyon inherited the spirit of rebellion and resistance from his mother, who regaled him with heroic tales of her brothers’ fearless crusade against the Tsar in the Russian and Bolshevik Revolutions of the early 20th century. As a young boy growing up in Queens, New York, Lyon would lie in bed at night and dream ...

    • Miss Rosen
  6. Oct 25, 2016 · While studying for a degree in history and philosophy at the University of Chicago in the early 1960s, Danny Lyon picked up a camera to photograph the civil rights efforts of the SNCC (the Student ...

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  8. Truman Capote’s In Cold Blood (1965) and Hunter S. Thompson’s Hell’s Angels: A Strange and Terrible Saga (1966) provide direct analogues to Lyon’s contemporaneous photographs, as do the writings of Tom Wolfe, Joan Didion, and Norman Mailer. Like those writers, Lyon and other New Documentary photographers performed subjective reporting on subcultures and social movements, relying on ...

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