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  1. Rooted in the rejection of traditional ballet techniques and conventions, modern dance emerged in the early 20th century as a platform for choreographers and dancers to explore new forms of movement and self-expression.

  2. Modern dance, theatrical dance that began to develop in the United States and Europe late in the 19th century, receiving its nomenclature and a widespread success in the 20th. It evolved as a protest against both the balletic and the interpretive dance traditions of the time.

    • The Editors of Encyclopaedia Britannica
  3. Rudolf Laban was a dance theorist and teacher whose studies of human motion provided the intellectual foundations for the development of central European modern dance. Laban also developed Labanotation, a widely used movement-notation system.

    • The Editors of Encyclopaedia Britannica
  4. Delsarte’s student Steele MacKay spreads his theory and teachings in the United States of America, leaving his influence in several figures of modern dance history like Ruth Saint Denis, Ted Shawn and Isadora Duncan, among others. Émile Jaques-Dalcroze (1865 - 1950, Austria - Switzerland).

    • How did theorists influence modern dancers?1
    • How did theorists influence modern dancers?2
    • How did theorists influence modern dancers?3
    • How did theorists influence modern dancers?4
  5. Oct 21, 2024 · Modern dance, the other major genre of Western theatre dance, developed in the early 20th century as a series of reactions against what detractors saw as the limited, artificial style of movement of ballet and its frivolous subject matter. Perhaps the greatest pioneer in modern dance was Isadora Duncan. She believed that ballet technique ...

  6. This slender book of 120 pages investigates the world of dancers, their experiences and theories, which they developed as performers and choreographers. The timeframe – 1920 to 1945 – circumscribes the period widely accepted as ‘modern’.

  7. One of the important principles and defining values of modern dance-making practices has been that the dancer and the choreographer danced together. However, in dance theory the specific inter-corporeal modes and relations of production of modern dance have not been adequately recognised.

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