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The Dust Brothers changed the course of record production with a new approach to sampling. In their first ever in-depth technical interview, John King and Mike Simpson explain their unique way of making records and open the doors of their remarkable LA studio, The Boat.
May 18, 2005 · The Dust Brothers found that musicians who were not familiar with the new technology often approached recording in a manner that was at odds with their way of working. “We would sometimes record musicians the way you would traditionally record a live band, and then added samples,” Simpson explained.
- E-Mu Emax HD
- Akai MPC 60
- Soundcraft Spirit
- Wurlitzer Electric Piano
- AKG Bx10
- More About The Dust Brothers
The approach to sampling used on Paul’s Boutique was far more intensive than any other album of the era and paved the way for so many great artists and producers that followed. The album cost around $1 million over the 18-month period it took for completion, including $250,000 in sample clearancefees. Almost the entire album production was done wit...
The Dust Brothers made use of many different samplers over the years including the Roland F-10, the AKAI S900, the E-mu SP12, and the Roland S-770. However, they kept going back to the AKAI MPCseries samplers repeatedly for the sound, workflow, and unique feel. The MPC 60 continued to be used in projects even later on in their long-standing collabo...
There were often times when projects overlapped and The Dust Brothers used their home studio in Silverlake for creative processes like songwriting and tracking. All the songs from Beck’s Odelay were tracked here on their beloved 24-channelSoundcraft Spirit mixing desk. For a relatively compact desk, the Spirit still has a wealth of routing options ...
The Fight Club soundtrack is littered with samples, loops, and hooks from records, classic synths and drum machines, and The Dust Brothers’ library of previously recorded artists and musicians. However, the distinctive sound of the electric piano chords and melodiesties the whole score together. At The Boat, The Dust Brothers’ keyboard collection i...
Another rare piece of gear in the collection at The Boat Studios, was the AKG BX10 spring reverb unit from the late 1960s. It sounds incredibly rich, detailed, and spacious for a spring reverb and many regard it as one of the best reverbs of its kind ever produced, along with its bigger brother, the BX20. The BX10 has two independent reverb channel...
Mike Simpson’s official pageMore sound-alikesEverything vintageThe same year also saw the Dust Brothers collaborate with Jeymes Samuel aka the Bullitts on the soundtrack for the film Muppets from Space, recording a cover version of the Earth, Wind & Fire song "Shining Star". In 1999, the two collaborated with Carlos Santana and Eagle-Eye Cherry on Santana's multi-platinum album Supernatural.
AlbumSongYearArtistCutting Rhythms; Next Episode; Don't Get ...1989Entire Album1989Hip Hop Creature1989Know How; Got More Rhymes1989Jun 17, 2016 · How the Dust Brothers Saved Beck from Becoming a One-Hit Wonder with Odelay. As Beck's Odelay turns 20, we talk to his producers—the Dust Brothers—and the man who signed him to Geffen to...
Jun 1, 2005 · The Dust Brothers, aka Mike Simpson and John King, worked on an avalanche of records during the late ’80s, ’90 and ’00s, trying their hands at a great number of studio activities: sampling, composing, mixing, remixing, recording and producing.
Mar 18, 2011 · According to Simpson, Beck was already familiar with the technology of sampling and encouraged the Dust Brothers to record him playing some stuff he liked from their collected record libraries and mess with it on the computer.
