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- Medieval scholars believed that light was a physical substance that traveled through the air and entered the eye. They also believed that light had a spiritual dimension, which could illuminate the mind and soul. This dual understanding of light as both a physical and spiritual phenomenon influenced the way that light was used in manuscripts.
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May 9, 2019 · Late medieval texts interpreted the effects of light as separate aspects. Light was categorised as its source and substance, lux, and its derivatives, lumen, the diffusion and radiation of light, and color, light materialised on a surface, halting the passage of lumen.
Apr 10, 2015 · Identifying the materials used in medieval illuminated manuscripts gives us an insight into the techniques and skills of the scribes and illuminators, as well as the sometimes complex trade routes of the times.
Medieval scholars believed that light was a physical substance that traveled through the air and entered the eye. They also believed that light had a spiritual dimension, which could illuminate the mind and soul.
Sep 6, 2024 · Featuring illuminated manuscripts from nineteen Boston-area institutions, this catalog provides a sweeping overview of the history of the book in the Middle Ages and Renaissance, as well as a guide to its production, illumination, functions, and readership.
- Danielle Mihram
- 2020
Aug 15, 2018 · The mechanism of the book enhanced their visual effects: Turning the pages allowed the polished gold leaf to catch the light at different angles, creating a glimmering, living object.
Decoration in medieval manuscripts performed a number of functions. It was used to enhance the appearance of the book, and its value. It might also function as a statement of the importance of the person or institution that had commissioned or owned the book.
Dec 15, 2010 · Illuminated manuscripts are books that have been decorated in ways that help bring to light the book’s contents. The word drives from the Latin illuminare (“to light up”), and medieval illumination should be understood as providing a gloss, or visual commentary, on the way the book was intended to be used and/or understood.
