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      • Carl Stalling was improvising on the organ while accompanying a silent film. A young Walt Disney was in the audience and noticed Stalling’s creative style. After introductions, a mutually beneficial friendship began. After Disney moved to Hollywood, Stalling soon followed to become Walt Disney Studio’s first music director.
      ahcwyo.org/2018/01/17/carl-stalling-music-animator/
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  2. Stalling left Disney after two years, at the same time as animator Ub Iwerks. He had reportedly completed the scoring of about 20 animated films for Disney. Finding few outlets in New York, Stalling rejoined Iwerks at the Iwerks Studio in California, while freelancing for Disney and others.

  3. Oct 16, 2023 · In the early 1930s, Carl Stalling made the decision to leave Disney Studio and join the ranks of Warner Bros. Cartoons, where he continued to make significant contributions to the world of animation. At Warner Bros., Stalling’s musical genius found an ideal canvas to shine.

  4. Feb 24, 2013 · But in fact, there was one man in the very beginning of the Disney Brothers studios, Carl W. Stalling, a brilliant and innovative musician and songwriter who, while at Disney, invented a system for cartoon music scoring for his early Mickey cartoons and also was instrumental in the “Silly Symphonies” cartoon series.

  5. Jan 17, 2018 · Stalling and Disney pioneered cartoon animation that matched the music instead of the other way around. The idea led to Walt Disney’s award-winning Silly Symphonies beginning in 1929. Stalling next took his talents to Warner Brothers Studios.

  6. Mar 30, 2018 · Starting out as an organist at the Isis Theater in Kansas City, accompanying and improvising for silent films, Stalling was initially scouted by Walt Disney in the 1920s and began scoring for Mickey Mouse cartoons.

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  7. Dec 5, 2003 · Walt Disney discovered Stalling in the early ‘20s at Kansas City’s Isis Theater, where Stalling was conducting his own orchestra and improvising on the organ to silent movies.

  8. May 23, 2018 · Stalling left Disney in 1930 to work at Aesop's Fables Studio in New York, a short-lived job where he was paid three times what he had been earning, but for which he did little. In retrospect, Stalling noted that this had been a competitor's ploy to undermine Disney.

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