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Using sticks, brushes, mallets, his hands
- Shelly Manne achieved many tonal colors in drumming by using sticks, brushes, mallets, his hands... whatever it took to get the sound he wanted.
www.npr.org/2010/06/07/127478987/shelly-manne-the-well-toned-drummer
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1939–1984. Sheldon " Shelly " Manne (June 11, 1920 – September 26, 1984) was an American jazz drummer. Most frequently associated with West Coast jazz, he was known for his versatility and also played in a number of other styles, including Dixieland, swing, bebop, avant-garde jazz, and later fusion. He also contributed to the musical ...
Jun 12, 2024 · Condoli’s elevated triplets and broken-chord extensions define his part as do Strozier’s contrapuntal responses and double-timing runs on both his instruments and Hawes’ cross handed dynamics. Manne also shows his skill in coloring rhythms with mallets, sticks and palms.
In September 1959, Shelly Manne and his Men played a two-week engagement at San Francisco’s legendary Black Hawk nightclub. In between Hollywood studio gigs, the band had developed an attractive repertoire of standards, blues and jazz originals.
May 23, 2013 · While Rogers and Giuffre state the tone row a dozen times in various guises and tempos, and make brief transitions in modulating chord progressions, Manne's extroverted, multidimensional drumming holds the various pieces together and prevents the track from sounding like an academic exercise.
Aug 31, 2024 · Shelly Manne, who will be 42 this month, has husbanded his success with a levelheaded view of life in general and the Jazz world in particular. He is the antithesis of the stereotype of the Jazzman as a shiftless, irresponsible gypsy overly fond of strong drink and stronger drugs and oblivious to society.
Jun 11, 2024 · It was there that the drummer became the leading light of the West Coast Jazz movement. He formed his own small combos, including the acclaimed Shelly Manne and his Men.
