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De Masi became interested in film music when Longo was asked to compose a soundtrack for a film, and he asked De Masi to be his assistant. [1] De Masi's filmography includes scores for over 200 films and TV series, ranging from Spaghetti Westerns and sword and sandal epics to gialli and horror films , such as Lucio Fulci 's Lo squartatore di New York ( The New York Ripper ).
Apr 28, 2014 · De Masi got interested in film music when Longo was asked to compose a soundtrack for a film, and he asked De Masi to be his assistant. Although Francesco De Masi is a gifted and highly original composer, and has scored in excess of 200 motion pictures, the composer has never really received the recognition that he deserves outside of Italy.
Mar 16, 2018 · Born in 1930 in Naples, Italy, Francesco De Masi studied composition at San Pietro a Maiella in Naples under the guidance of Achille Longo, who was also his uncle. De Masi got interested in film music when Longo was asked to compose a soundtrack for a film, and he asked De Masi to be his assistant. Although Francesco De Masi is a gifted and ...
De Masi became interested in film music when Longo was asked to compose a soundtrack for a film, and he asked De Masi to be his assistant. De Masi's filmography includes scores for over 200 films and TV series, ranging from spaghetti westerns and sword and sandal epics to gialli and horror films, such as Lucio Fulci's Lo squartatore di New York (The New York Ripper).
De Masi got interested in film music when Longo was asked to compose a soundtrack for a film, and he asked De Masi to be his assistant. De Masi's filmography includes scores for over 200 films and TV series, ranging from spaghetti westerns and sword and sandal epics to gialli and horror films, such as Lucio Fulci's "Lo squartatore di New York" (The New York Ripper).
Francesco De Masi ( January 11, 1930 – November 6, 2005) was an Italian conductor and film score composer. He studied composition at the San Pietro a Maiella in Naples, under the guidance of Achille Longo, who was also his uncle. De Masi got interested in film music when Longo was asked to compose a soundtrack for a film, and he asked De Masi ...
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One of De Masi's earliest horror scores, for Riccardo Freda's THE GHOST [LO SPETTRO, 1963], is full of shuddery passages and vertigo-inducing heights, but it's most memorable for an achingly tender Irish melody that is heard variously throughout the film with full orchestra, on piano, and as a music-box melody. It's one of those melodies that gives a film so much more than the story demanded ...
