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      • His journey began in the late 1950s, and he quickly became a leading figure in the French New Wave movement. Chabrol's unique style, characterized by meticulous attention to detail and a penchant for psychological depth, set him apart from his contemporaries.
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  2. Claude Chabrol. Claude Henri Jean Chabrol (French: [klod ʃabʁɔl]; 24 June 1930 – 12 September 2010) was a French film director and a member of the French New Wave (nouvelle vague) group of filmmakers who first came to prominence at the end of the 1950s. Like his colleagues and contemporaries Jean-Luc Godard, François Truffaut, Éric ...

  3. Jun 24, 2019 · The best place to start with Chabrol’s work is at the beginning, with his very first feature, Le Beau Serge (1958). Kickstarting the nouvelle vague proper, Chabrol’s debut is a far cry from his future genre work but is also one of his strongest films.

  4. Sep 8, 2024 · Claude Chabrol (born June 24, 1930, Paris, France—died September 12, 2010, Paris) was a French motion-picture director, scenarist, and producer who was France’s master of the mystery thriller.

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  5. facts.net › celebrity › 19-facts-about-claude-chabrol19 Facts About Claude Chabrol

    4 days ago · 01. Pioneer of the French New Wave. Chabrol was one of the first directors to emerge from the French New Wave, a movement that revolutionized cinema in the late 1950s and 1960s. His debut film, "Le Beau Serge," is often credited as the first New Wave film. 02.

    • Les Bonnes Femmes (1960) Despite playing a central role in the nouvelle vague, Chabrol did not make a truly great film until the movement was drawing to a close.
    • Le Boucher (1970) In the run of films Chabrol made between 1968 and 1978 – often referred to as his golden era – the director repurposed the thriller to explore the baser instincts bubbling beneath the manicured surface of the bourgeoisie.
    • La Rupture (1970) The two darkest films of Chabrol’s golden era both deal with parental responses to attacks on children. Que la bête meure (1969), in which a father seeks to murder the hit-and-run driver who killed his son, pursues its quarry with clear-eyed moral purpose, but La Rupture, following a woman who leaves her husband after he attacks their son, has a bleaker edge that places it in the same tonal register as Roman Polanski’s great psychological horror pictures.
    • Alice ou la Dernière Fugue (1977) From ropey spy films to Orson Welles vehicles, Chabrol’s career is full of outliers, but the best, and indeed the most revealing, is his loose Alice in Wonderland adaptation Alice ou la Dernière Fugue.
  6. Oct 4, 2002 · Along with François Truffaut and Jean-Luc Godard, Claude Chabrol’s name is famously associated with the path-breaking criticism of Cahiers du Cinéma and the rise of the French New Wave. But whilst Truffaut and Godard saw themselves as auteur and innovator, to survey Chabrol’s long career is to see a craftsman productively immersed in the ...

  7. Jun 6, 2012 · Critic, film-maker and trailblazer of the French New Wave. 24 June 1930–12 September 2010. The film-maker Claude Chabrol, who died on Sunday 12 September, can truly lay claim to being a pioneer of the French New Wave.

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