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The core of Edith Wharton’s ‘The Moving Finger’ can, in many ways, be summed up by Claydon’s comment towards the end of the story: namely, that whereas the mythical sculptor Pygmalion had turned his statue into a real woman, Claydon had done the opposite, and turned his real woman into a picture.
- Edith Wharton – Interesting Literature
By Dr Oliver Tearle (Loughborough University) ‘The Moving...
- Edith Wharton – Interesting Literature
An unnamed reviewer in the Toronto Daily Star of 7 November 1942 said, "The Moving Finger has for a jacket design a picture of a finger pointing out one suspect after another and that's the way it is with the reader as chapter after chapter of the mystery story unfolds.
- Agatha Christie
- 1942
“The Moving Finger” is a work of Dark Romanticism, a subgenre of the 19th-century Romantic movement that focuses on tragic and macabre themes and tends to feature ghosts or demons.
The timeline below shows where the symbol The Portrait appears in The Moving Finger. The colored dots and icons indicate which themes are associated with that appearance.
In The Moving Finger by Edith Wharton we have the theme of control, loneliness, conflict, obsession, isolation, connection, dependency and letting go. Narrated in the first person by an unnamed narrator the reader realises after reading the story that Wharton may be exploring the theme of control.
Need help on symbols in Edith Wharton's The Moving Finger? Check out our detailed analysis. From the creators of SparkNotes.
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Is the Moving Finger a feminist novel?
“The Moving Finger,” Dorian Gray’s youthful portrait seems to taunt him about his own mortality. Additionally, “The Moving Finger” can be read as an early feminist work, as it implicitly critiques men’s objectification of women’s beauty. In this way, it’s similar to novels like Charlotte Perkin Gilman’sThe Yellow
