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- Folk music has broad appeal and extensive influence. It has been used for decades for protests and by musicians to tell simple, relatable stories. But, folk as we know it now is not the folk of the past. More and more artists are fusing it with other genres to create unique sounds, while still using the folk label.
www.wfae.org/show/charlotte-talks-with-mike-collins/2014-03-04/folk-music-and-its-influenceFolk Music And Its Influence | WFAE 90.7 - Charlotte's NPR ...
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Oct 15, 2018 · British folk music takes its place alongside roots music everywhere, expanding the musical palette and breaking down the boundaries of genre, culture and language. British folk is part and parcel of the national conversation in a multicultural age, not a pastoral retreat or a muttering on the fringes. British folk is part and parcel of the ...
Folk music, with its rich tapestry of storytelling and cultural expression, has long been a cornerstone of societal and artistic traditions worldwide. Rooted in the narrative of the common people, it has historically been a medium to reflect societal norms, struggles, and celebrations.
Folk music is a music genre that includes traditional folk music and the contemporary genre that evolved from the former during the 20th-century folk revival. Some types of folk music may be called world music.
- Overview
- The concept of folk music
folk music, type of traditional and generally rural music that originally was passed down through families and other small social groups. Typically, folk music, like folk literature, lives in oral tradition; it is learned through hearing rather than reading. It is functional in the sense that it is associated with other activities, and it is primar...
The term folk music and its equivalents in other languages denote many different kinds of music; the meaning of the term varies according to the part of the world, social class, and period of history. In determining whether a song or piece of music is folk music, most performers, participants, and enthusiasts would probably agree on certain criteria derived from patterns of transmission, social function, origins, and performance.
The central traditions of folk music are transmitted orally or aurally, that is, they are learned through hearing rather than the reading of words or music, ordinarily in informal, small social networks of relatives or friends rather than in institutions such as school or church. In the 20th century, transmission through recordings and mass media began to replace much of the face-to-face learning. In comparison with art music, which brings aesthetic enjoyment, and popular music, which (often along with social dancing) functions as entertainment, folk music is more often associated with other activities, such as calendric or life-cycle rituals, work, games, enculturation, and folk religion; folk music is also more likely to be participatory than presentational.
The concept applies to cultures in which there is also an urban, technically more sophisticated musical tradition maintained by and for a smaller social, economic, and intellectual elite in cities, courts, or urbanized cultures. Generally, “folk music” refers to music that broad segments of the population—particularly the lower socioeconomic classes—understand, and with which they identify. In this respect it is the rural counterpart to urban popular music, although that music depends mainly on the mass media—recordings, radio, television, and to some degree the Internet—for dissemination.
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Traditionally, folk music performers were amateurs, and some folk songs were literally known to all members of a community; but specialists—instrumentalists and singers of narratives—were important to folk communities. In the 20th century, the role of professionals as performers and carriers of folk traditions expanded dramatically. Folk music as it is believed to have existed in earlier times may be discussed separately from periods of revival such as that of 19th-century European nationalism and the 20th-century revivals, shortly before and after World War II, that were motivated by political agendas. In the context of popular music, performances of “folk music” may be distinguished by the use of songs with political agendas and the use of traditional instruments and acoustic guitars. On the other side of the musical spectrum, lines between folk music and art music were blurred beginning in the 19th century, when art music composers introduced songs from folklore into urban musical culture.
The digital world has made available more folk music than ever — just not for a profit, something Church bemoans.
- Clinton Heylin
Jun 30, 2021 · Voices from the past can still be heard today through the living social history of songs passed down through generations, whether they're still sung by tradition-bearers, recorded by folk song enthusiasts or printed in broadsides or books, author Fiona Mountain tells Historia.
Mar 4, 2014 · More and more artists are fusing it with other genres to create unique sounds, while still using the folk label. So what impact does that have on how we classify folk? What is modern folk music?
