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Roth has health problems. 1998. Iceland, Hamburg, Stuttgart, Zurich, Basle January: Roth appoints Dirk Dobke as curator for the Dieter Roth Foundation in Hamburg. Through this arrangement the collection and the Schimmelmuseum are to be made accessible to the public.
Jun 5, 1998 · Summary of Dieter Roth. Briefcases of rotting cheese, minced literature in a sausage case, and chocolate busts of his own face have all featured in the innovative, radical, and occasionally challenging artistic practice of Dieter Roth. Best known for pioneering the artists’ book as an artwork in its own right, the experiments with perishable ...
- German-Swiss
- April 21, 1930
- Hanover, Germany
- June 5, 1998
Biography. Dieter Roth (April 21, 1930 – June 5, 1998) was a Swiss artist who gained recognition for his diverse body of work, which included artist's books, editioned prints, sculpture, and creations from found materials, including rotting food stuffs. He was also known as Dieter Rot and Diter Rot.
Wikipedia entry. Dieter Roth (April 21, 1930 – June 5, 1998) was a Swiss artist who gained recognition for his diverse body of work, which included artist's books, editioned prints, sculpture, and creations from found materials, including rotting food stuffs. He was also known as Dieter Rot and Diter Rot.
Movement. Concrete art, Op Art, Fluxus, Maximalism. Dieter Roth (April 21, 1930 – June 5, 1998) was a Swiss artist who gained recognition for his diverse body of work, which included artist's books, editioned prints, sculpture, and creations from found materials, including rotting food stuffs. [1] He was also known as Dieter Rot and Diter Rot.
Jun 10, 1998 · He was 68. He had heart problems, Carol Eckman, his New York dealer, said. Mr. Roth was a sculptor, performer, book designer, poet, graphic artist, publisher and musician, sort of. Born Karl ...
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Apr 5, 2013 · Wait, Later This Will Be Nothing: Editions by Dieter Roth, on view at the Museum of Modern Art in New York, offers a thematic approach to appreciating Roth’s contribution to the field of printmaking. Organized by Sarah Suzuki, an associate curator in the department of prints and illustrated books, the exhibition breaks down into five sections and spans roughly twenty years.
