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      • Allied Artists did retain a few vestiges of its Monogram identity, continuing its popular Stanley Clements action series (through 1953), its B-Westerns (through 1954), its Bomba, the Jungle Boy adventures (through 1955), and especially its breadwinning comedy series with The Bowery Boys (through 1957 with Clements replacing Leo Gorcey).
      en.wikipedia.org/wiki/Allied_Artists_International
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  2. This is a list of feature films originally released and/or distributed by Monogram Pictures and Allied Artists Pictures Corporation. Monogram/Allied Artists' post-August 1946 library is currently owned by Warner Bros. (via Lorimar Motion Pictures), while 187 pre-August 1946 Monogram films are owned by Metro-Goldwyn-Mayer (via United Artists ...

  3. Today, Allied Artists Records remains as a mainstream anchor imprint, together with its wholly autonomous target market imprints, Allied Artists Music Co., Monogram Records, Brimstone Records and Vista Records.

  4. All materials © 1994-2024 Allied Artists International, Inc. unless otherwise noted.Allied Artists and the Allied Artists logo are registered trademarks of Allied ...

    • History
    • Film Series
    • Monogram's Stars
    • Monogram Enters The Field of TV
    • Allied Artists' Major Productions
    • Post-Broidy
    • Studios
    • References
    • External Links

    Monogram was created in the early 1930s from two earlier companies; W. Ray Johnston's Rayart Productions (renamed Raytone when sound pictures came in) and Trem Carr's Sono Art-World Wide Pictures. Both specialized in low-budget features, a policy which continued at Monogram Pictures, with Carr in charge of production. Another independent producer, ...

    In 1938, Monogram began a long and profitable policy of making series and hiring familiar players to star in them. Frankie Darro, Hollywood's foremost tough-kid actor of the 1930s, joined Monogram and stayed with the company until 1950. Comedian Mantan Moreland co-starred in many of the Darro films and continued to be a valuable asset to Monogram t...

    The studio was a launching pad for new stars (Preston Foster in Sensation Hunters, Randolph Scott in Broken Dreams, Ginger Rogers in The Thirteenth Guest, Lionel Atwill in The Sphinx, Alan Ladd in Her First Romance, Robert Mitchum in When Strangers Marry. The studio was also a haven for established stars whose careers had stalled: Edmund Lowe in Kl...

    Monogram was the first substantial theatrical distributor to offer its recent films to network television, in April 1948. Steve Broidy's asking price was $1,000,000 for a package of 200 features, or $5,000 per title. The CBSnetwork declined the offer, and the films went instead to Motion Pictures for Television, a pioneer TV syndicator established ...

    For a time in the mid-1950s, the Mirisch family held great influence at Allied Artists, with Walter as executive producer, his brother Harold as head of sales, and brother Marvin as assistant treasurer. They pushed the studio into big-budget filmmaking, signing contracts with William Wyler, John Huston, Billy Wilder and Gary Cooper. When their firs...

    Studio chief Steve Broidy retired in 1965. Allied Artists ceased production in 1966 and became a distributor of foreign films, but restarted production with the release of Cabaret (1972) and followed it with Papillon (1973). Both were critical and commercial successes, but high production and financing costs meant they were not big moneymakers for ...

    Sunset Boulevard

    Allied Artists had its studio at 4401 W. Sunset Boulevard in Hollywood, on a 4.5-acre lot. The longtime home (since 1971) of former PBS television station KCET, the station sold the studios to the Church of Scientologyin April 2011.

    Monogram Ranch

    Monogram Pictures operated the Monogram Ranch, its movie ranch in Placerita Canyon near Newhall, California, in the northern San Gabriel Mountains foothills. Tom Mix had used the Placeritos Ranch for location shooting for his silent western films. Ernie Hickson became the owner in 1936 and reconstructed all the "frontier western town" sets, moved from the nearby Republic Pictures Movie Ranch (present day Disney Golden Oak Ranch), onto his 110-acre (0.45 km2) ranch. A year later Monogram Pictu...

    Further reading

    1. Okuda, Ted (1999). The Monogram Checklist: The Films of Monogram Pictures Corporation, 1931–1952. McFarland. ISBN 978-0786407507. 2. Miller, Don (1987). B Movies. Ballantine Books. ISBN 978-0345347107.

  5. Allied Artists Pictures soon became the reigning brand, relegating Monogram Pictures to a subsidiary of its own spawn! By 1966, Allied Artists Studios was literally ‘on the map,’ which can be viewed by CLICKING HERE.

  6. Monogram Pictures continued to produce "B" movies through 1952, while the studio's special attractions were released as Allied Artists Productions. In 1953, the company dropped the Monogram name and functioned as a single entity, Allied Artists Pictures Corporation.

  7. One of the most important was Monogram, which was originally located at 4516 Sunset Blvd., then relocated to 1040 N. Las Palmas Ave. In 1935, Monogram merged into Republic, becoming an independent company again one year later, and moving, once again, over to Sunset Drive and Hoover Street.

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