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  2. Jun 23, 2005 · In the future world of “George A. Romero’s Land of the Dead,” both zombies and their victims have started to evolve. The zombies don’t simply shuffle around mindlessly, eating people. And the healthy humans don’t simply shoot them.

  3. TLDR-I've long held the opinion that Big Daddy can be interpreted as the zombie inversion of Night of the Living Dead's Ben or possibly an equivalent to Nat Turner, perhaps not as an unintentional figure reflecting racism but in the context of his character's role among the zombies vs. the humans.

  4. Zombies live peacefully with eachother, the humans in their new city have re-engineered a class system, inequality, disparity, and continue the pattern of human suffering. Romero is clearly siding with the zombies by Land of the Dead. The pet canaries are symbolic of this.

  5. Dead Reckoning finally reaches the city, but they only find zombies eating people. It seems like there are no survivors in the city. Riley orders Charlie and Pretty Boy to fire the rockets at the zombies to destroy them.

  6. They aren't explicitly visible in the crowd of fresh bodies the zombies are eating later, but it is doubtful they could have escaped. Chekhov's Skill: Big Daddy still remembers how to operate a gas pump, and the zombie butcher can still swing a cleaver.

  7. Box office. $46.8 million [3] Land of the Dead (also known as George A. Romero's Land of the Dead) is a 2005 post-apocalyptic horror film written and directed by George A. Romero; the fourth of Romero's six Living Dead movies, it is preceded by Night of the Living Dead, Dawn of the Dead and Day of the Dead, and succeeded by Diary of the Dead ...

  8. At the start, when the Skyflowers stop and they are leaving the supermarket, 3 zombies are shot by the guy in the truck. The third zombie falls before being shot.

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