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      • Scenic arts do not exist separately from the audience: these people that play a significant role to the theatrical act even through observation only.
      interartive.org/2017/05/theatricality-and-performativity-the-non-textual-elements-of-performance-christina-grammatikopoulou
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  2. But what are these concepts and how are they linked to the audience and the ritual of performance? Scenic arts do not exist separately from the audience: these people that play a significant role to the theatrical act even through observation only.

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  3. Jun 8, 2016 · In this article I discuss how the experience of our particular landscapes influences the artistic productions that we offer to the world. From the perspective of the audience, looking at the stage,...

    • Bibiana Puigdefàbregas
    • 2016
  4. Jun 20, 2022 · This article explores the practice of scenic design and its approach to the complementary and contradictory relationship between performance space and physical space. For this purpose, we turn to three Philadelphia-based scenic designers — Marie Laster, Thom Weaver and Matt Saunders.

  5. May 31, 2021 · What emerges here is a productive space urging art historians and others to contribute to further developing scenography as an academic concept and scholarly domain. It must be emphasized that this has nothing to do with appropriating or claiming scenography solely for art history.

    • Astrid von Rosen
    • 2021
  6. Recognition of the scenic-painter as artist has, however, not always been universal. Establishment of the painting academies brought division between what was considered a “craft” and “fine art”. Some scenic artists have been able to move between these two worlds.

  7. Jan 1, 2017 · This study uses Kenneth Eni's conceptualization on Scenography to examine the scenic representations of the ideological confrontation between the characters of Martin and Malcolm in the ...

  8. Oct 10, 2012 · Unlike other so-called “seminal artists,” a scenic designer is working in the service of a collective goal and that always has to be a good story well told. This is not to diminish the role of the scenic, or other visual designers; the art of scenic design is the art of illusion.

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