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May 25, 2024 · The ‘New Hollywood‘ movement was responsible for introducing a wave of actors and filmmakers who would eventually go on to become renowned as legends of cinema, but Henry Jaglom didn’t quite make the cut despite being both an actor and a filmmaker held in the highest of esteem by his peers.
Apr 24, 1998 · indieWIRE: You have been working on the fringes for quite awhile — so how have you been able to do survive? Henry Jaglom: When I started out, there was no such thing as independent
- Indiewire
Jul 20, 2013 · Director Henry Jaglom was a close friend of Orson Welles — and with Welles' permission, he recorded several years' worth of their lunchtime conversations.
Henry Jaglom—the innovative filmmaker, director, and screenwriter—has remained independent of the so-called Hollywood studio system by ensuring that all his films, on the advice of Orson Welles, “Never need Hollywood.” In 1971, Jaglom persuaded Welles to appear in A Safe Place, and the two began having lunch together weekly in 1978.
Jaglom began his film-making career working with Jack Nicholson on the editing of Hopper's Easy Rider (1969), and made his writing/directing debut with A Safe Place (1971), starring Tuesday Weld, Nicholson, and Welles.
Oct 17, 2012 · Henry Jaglom is one of those directors who people love or hate; indifference is hard to imagine. The divisive filmmaker’s work is talky—the dialogue is often improvised—and highly idiosyncratic, not unlike his characters.
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Jaglom co-starred in four of his most personal films - Always (1985), (But Not Forever (1985)); Someone to Love (1987) starring Orson Welles in his farewell film performance; New Year's Day (1989), which introduced David Duchovny, and Venice/Venice (1992), opposite French star Nelly Alard.
