Yahoo Web Search

Search results

  1. In his 1921 essay ‘The Metaphysical Poets’, T. S. Eliot made several of his most famous and important statements about poetry – including, by implication, his own poetry. It is in this essay that Eliot puts forward his well-known idea of the ‘dissociation of sensibility’, among other theories.

  2. Mar 16, 2014 · His poetry changed the landscape of Anglophone poetry for good. Born in St Louis, Missouri in 1888, Eliot studied at Harvard and Oxford before abandoning his postgraduate studies at Oxford because he preferred the exciting literary society of London.

  3. jectifying element in his poetry. Like the English Romantics, Eliot in his later meditations uses landscape as a framing device for his deepest and most personal reflections. In short, the way in which natural landscape helps Eliot express himself in his first voice comprises an aesthetic theory, one which can be used

  4. May 28, 2006 · Summary. When I was asked to write on the figure of Eliot in modern poetry I thought of several reasons not to accept. On a personal level I could imagine no way that such critical work would not reveal more about my limitations than about Eliot's powers, since I would miss or mistake crucial aspects of his heritage.

  5. Robert Archambeau, The Fall and Rise of Poetry: T. S. Eliot and the Place of Poetry in the Modern World, South Atlantic Review, Vol. 77, No. 1/2 ([2012]), pp. 153-170 The Fall and Rise of Poetry: T. S. Eliot and the Place of Poetry in the Modern World on JSTOR

  6. Oct 24, 2022 · In the anglophone world, it’s fascinating to consider the impact of The Waste Land on poets with political and cultural views diametrically opposed to Eliot’s, many from diverse backgrounds. The poem’s afterlife demonstrates not just “the anxiety of influence,” in Harold Bloom’s phrase, but the irony of influence.

  7. People also ask

  8. Eliot’s second volume of poems was written after he had married and settled in London, during and immediately after the Great War. The landscape of Poems (1920) is at once more panoramic and more indefinite, volatile, and malign than the world of Prufrock and Other Observations.

  1. People also search for