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Brainchild of renowned Hollywood producer, Don Simpson
- The idea for Beverly Hills Cop was the brainchild of renowned Hollywood producer, Don Simpson. His initial concept was to focus on an LAPD policeman who ditches the grim streets of LA to transfer to the glitz and glamour or Beverly Hills.
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Simpson entered the film industry in the 1970s and worked at Warner Bros. and Paramount Pictures. He eventually began a professional partnership with Jerry Bruckheimer, and together, they produced hit films such as Flashdance (1983), Beverly Hills Cop (1984), Top Gun (1986), and The Rock (1996).
In 1977, Paramount executive Don Simpson came up with a movie idea about a cop from East L.A. who transferred to Beverly Hills. [5] Screenwriter Danilo Bach was called in to write the screenplay. Bach pitched his idea to Simpson and Paramount in 1981 under the name Beverly Drive , about a cop from Pittsburgh named Elly Axel. [ 5 ]
Jun 2, 2024 · Jerry Bruckheimer said the movie was based on an idea Don Simpson had about a Chicano cop from East LA (Bruckheimer and Simpson produced the movie). Real-life cop Lynn Franklin would also claim the story was inspired by his experiences on the force [same source].
Nov 26, 2023 · The idea for Beverly Hills Cop was the brainchild of renowned Hollywood producer, Don Simpson. His initial concept was to focus on an LAPD policeman who ditches the grim streets of LA to...
- The Original Idea For The Movie Came from A Speeding Ticket
- It Took Over Five Years For Someone to Get The Script Right
- Mickey Rourke Was Initially Paid to Play Axel Foley
- Stallone Left Weeks Before Shooting Because of Orange Juice. Maybe.
- Eddie Murphy Improvised A Lot of The Movie
- Martin Scorcese Was The First Choice to Direct
- Martin Brest Repeatedly Refused to Direct The Movie
- Bronson Pinchot Almost Didn't Do The Movie Because He Wanted to Go to Italy
- The Real Detroit Police Wouldn't Go Places The Director Would
- Three Synthesizers Were Needed to Record 'Axel F'
In 1975, long before he would become the CEO of Disney, Michael Eisner was driving a beat-up station wagon around Hollywood, despite his impressive title of president at Paramount Studios. After he got a speeding ticket from a cop with "an air of superiority and quiet condescension," he bought himself a Mercedes and came up with the germ of an idea...
Danillo Bach was hired to write the script, and in 1981 he submitted a draft titled Beverly Drive. In Beverly Drive, a Pittsburgh cop named Elly Axel shows up in Beverly Hills to investigate his friend's death. That loose plot remained throughout the remainder of the creative process. Michael Eisner felt that the draft, and all the others before it...
With the project fast-tracked in 1983, Mickey Rourke was a hot commodity, fresh off his Diner performance as Boogie. Rourke made $400,000by signing a holding contract, going back and forth with the studio and the writers on ideas for the script, and then walking away when his contract expired to look for work elsewhere.
The Hollywood legend is that Sylvester Stallone abandoned the project thanks to failed negotiations over what type of orange juice was to be kept in his trailer. The official explanation was that Stallone's script made the budget skyrocket, and Paramount did not want to spend all the extra money. A majority of Stallone's script went into his 1986 m...
Murphy, coming off roles in 48 Hours and Trading Places, was brought in to save the day. Petrie Jr. came back and finished a final version of his script, but both he and director Martin Brest weren't completely satisfied. Brest encouraged Murphy to make up funny stuff on the spot, and Murphy came through on multiple occasions. The former SNL cast m...
When Stallone was still signed up to play the lead, Scorcese was offered the director's chair. Scorcese was "bewildered," and dismissed the concept as too similar to the movie Coogan's Bluff. In that film, Clint Eastwood was a deputy sheriff from Arizona who travels to New York City to hand over a fugitive.
Martin Brest was fired from his second directing job, WarGames, and the industry thought he was damaged goods. Don Simpson and Jerry Bruckheimer disagreed, and the two Paramount executives continually called Brest and asked him to direct Beverly Hills Cop. He kept declining, before eventually taking his phone off the hook. Simpson took the hint, bu...
Pinchot's performance as Serge the gallerist, which led Brest to call Pinchot the "American Peter Sellers," helped him obtain his iconic role of Mypos native Balki Bartokomous on Perfect Strangers for seven seasons. But because of the movie's repeated production delays and his scheduled trip to Florence, Italy, Pinchot grew restless and said that i...
Most of the scenes set in Detroit were actually shot there. An off-duty police officer accompanied Martin Brest and his crew during filming, but he refused to go with them when they entered a housing project. Detroit PD was more helpful when producers were researching police procedures, though, when a detective took them to a murder site. Since the...
The classic instrumental theme written and performed by Harold Faltermeyer was made usinga Roland Jupiter 8, a Roland JX-3P, and a Yamaha DX-7. The song reached #3 on the Billboard U.S. charts. Faltermeyer also co-wrote the Glenn Frey song "The Heat is On" for the film's soundtrack.
Oct 10, 2022 · According to the book, Don Simpson, who had met with Murphy a few times, eventually suggested the "SNL" star to executives, who were instantly on board. According to the Times piece, Murphy...
Beverly Hills Cop (1984) 1984 USA. Directed by. Martin Brest. Produced by. Don Simpson, Jerry Bruckheimer.
