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Goldblatt worked in black-and-white
- For much of his career, Goldblatt worked in black-and-white; “color seemed too sweet a medium to express the anger, disgust and fear that apartheid inspired,” he once said, according to Genzlinger of the Times.
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Feb 4, 2019 · It also makes sense that, over the 46 years of National Party rule, David Goldblatt shot only in black and white. That was the reality of South Africa then. Every aspect of daily...
- Fietas Unbuilt
- The Politics of Presence
- Blue-Asbestos Mining
- “Fuck-All Landscapes”
The Johannesburg suburb officially named Pageview was once a multi-racial neighborhood with a substantial Indian population, colloquially known as Fietas after the “fitters” for men’s clothing who traded in the area. But in 1957, when the Group Areas Act of 1950 was consolidated, non-white residents began receiving eviction notices; in 1962, Fietas...
The impact of such captioning phrases can be disarming, leading the viewer to consider difficult truths — the painful reality of the scenes depicted and the impossibility, too, of fully grasping such scenes’ significance. Goldblatt’s pairings of word and image emphasize the limitations of both, their inability to redeem a difficult situation. It wa...
Just as issues of gender and power are sometimes glossed over in discussions of Goldblatt’s art, appraisals that seek to situate his oeuvre in a global context are outweighed in the literature by a focus on the geopolitical history of South Africa. This is due in part to the fact that even though his images circulate in the international art market...
In the early 2000s, after the Wittenoom series, Goldblatt began to explore not only the possibilities of color but also the technical potential of the digital medium. This transition from film to digital led, as Michael Stevenson observes, to a “whole-hearted embrace of harsh South African light, a light that is intense and unrelenting.” 30At the s...
- Ella Mudie
- 2019
Sep 4, 2020 · By the time Goldblatt began his professional career in photography in 1962, South Africa was segregated in every sense—80% of the land was legally claimed for white people, forcing millions of Black South Africans from their homes.
In one photograph he shot in 1965, a white boy stands next to his black nursemaid, Heimweeberg, his hands resting delicately on her shoulders. Behind them stands a barbed wire fence.
Dec 2, 2023 · Showing early black-and-white work alongside color photographs made after the end of apartheid, this presentation highlights how Goldblatt’s perspective shifted over time, responding not only to South Africa’s political upheavals but also his drive towards self-examination that he achieved by revisiting past subjects.
Jun 27, 2018 · World renowned and revered South African photographer David Goldblatt has died at the age of 87. He became a photographer at the age of 18 and would come to focus his camera on quiet, yet...
May 24, 2023 · David Goldblatt captured the contradictions of apartheid in stark black and white. For nearly six decades, the celebrated South African photographer David Goldblatt (1930-2018) documented the impact of apartheid on South Africa. As a white Jewish native of Johannesburg, he brought both an insider and outsider perspective to his country, which ...
