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When asked to imitate the expressive timing of another performer, pianists have an easier time imitating typical patterns of expressive timing, as opposed to a performance in which temporal deviations are distributed randomly across musical events (Clarke & Baker-Short, 1987; but see also Repp, 2000).
When asked to imitate the expressive timing of another performer, pianists have an easier time imitating typical patterns of expressive timing, as opposed to a performance in which...
Although a range of expressive timing is available to musicians, Repp (1997) found that listeners preferred performances with average or “composite” expressive timing and tempo, as compared to highly expressive or unexpressive performances.
Jan 6, 2015 · Expressive Timing: From the Center to the Margins. Generally, expressive timing scholarship seeks to relate acceleration and deceleration in a performance or (more often) a group of performances to features of the musical score such as phrase structure, harmonic tension, or rhythmic activity.
Nov 4, 2018 · The link between pianists’ playing movements and an expressive performance made it valuable for this interdisciplinary review to reflect on the function of body segments in providing a playing technique that allows the body to move in response to a score’s technical and expressive goals.
The results demonstrated that pianists are capable of generating the expressive timing pattern of their performance in the absence of auditory and kinaesthetic (piano keyboard) feedback. They can also synchronize their finger taps quite well with expressively timed music or clicks (while imagining the music), although they tend to underestimate ...
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spontaneously and then to imitate model performances instantiating dif- ferent patterns of expressive timing or dynamics, with the other dimen- sion held constant at a typical pattern.
