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1. • • By gradually eliminating whatever proved superfluous, we found that theatre can exist without make-up, without autonomic costume and scenography, without a separate performance area (stage), without lighting and sound effects, etc.
     thedramateacher.com/poor-theatre-conventions/

     Grotowski’s Immersive Poor Theatre Techniques – 40 Explanations

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   Can Theatre exist without make-up?

   • By gradually eliminating whatever proved superfluous, we found that theatre can exist without make-up, without autonomic costume and scenography, without a separate performance area (stage), without lighting and sound effects, etc. In Grotowski’s Poor Theatre, the actor and their skills were the central focus of all performances.

   Grotowski’s Immersive Poor Theatre Techniques | The Drama Teacher

   thedramateacher.com/poor-theatre-conventions/

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   Can Theatre exist without the actor-spectator relationship?

   • He writes that theatre ‘cannot exist without the actor-spectator relationship of perceptual, direct, “live” To focus in on this horizontal relationship between the actor and the spectator, Grotowski calls for a ‘poor theatre’, a theatre stripped of all superfluous elements, such as set, costumes, props, and make-up.

   Grotowski’s Poor Theatre: A Theatre of the Body

   www.transpositions.co.uk/grotowskis-poor-theatre-a-theatre-of-the-body/

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   Can actors play among the spectators?

   • The actors can play among the spectators, directly contacting the audience and giving it a passive role in drama” (Grotowski, 1986, 20). Work cited: Grotowski, J. (1986) Towards a Poor Theatre. London: Methuen London Ltd.

   Practitioner Jerzy Grotowski and His Influence - University of Lincoln

   forefronttheatre.blogs.lincoln.ac.uk/2015/04/22/practitioners-jerzy-grotowski/

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   What is poor theatre?

   • Grotowski coined the term ‘poor theatre’, defining a performance style that rid itself of the excesses of theatre, such as lavish costumes and detailed sets (hence ‘poor’). Poor Theatre pieces centre on the actor’s skill and are often performed with only a few props.

   Grotowski’s Immersive Poor Theatre Techniques | The Drama Teacher

   thedramateacher.com/poor-theatre-conventions/

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   Did Grotowski use real props in poor theatre?

   • In some instances, performances utilized no ‘real’ props at all, instead employing actors as props themselves. To achieve the level of authenticity and skill required for Poor Theatre, Grotowski’s actors underwent intense training over extended periods.

   Grotowski’s Immersive Poor Theatre Techniques | The Drama Teacher

   thedramateacher.com/poor-theatre-conventions/

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   Is Theatre a synthesis of different creative disciplines?

   • It challenges the notion of theatre as a synthesis of disparate creative disciplines - literature, sculpture, painting, architecture, lighting, acting (under the direction of a metteur-en-scene). This “synthetic theatre” is the contemporary theatre, which we readily call the “Rich Theatre" - rich in flaws.

   (PDF) JERZY GROTOWSKI Towards a poor theatre - Academia.edu

   www.academia.edu/25369343/JERZY_GROTOWSKI_Towards_a_poor_theatre

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3. thedramateacher.com › poor-theatre-conventionsGrotowski’s Immersive Poor Theatre Techniques – 40 Explanations

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   Jul 10, 2024 · By gradually eliminating whatever proved superfluous, we found that theatre can exist without make-up, without autonomic costume and scenography, without a separate performance area (stage), without lighting and sound effects, etc.

4. forefronttheatre.blogs.lincoln.ac.uk › 2015/04/22Practitioner Jerzy Grotowski and His Influence

   forefronttheatre.blogs.lincoln.ac.uk › 2015/04/22

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   Apr 22, 2015 · Jerzy Grotowski focused on the elimination of unnecessary movement, often referred to superfluous movement, as Grotowski believed that the theatre had become too infected with extravagant costume, makeup, acting and staging he states, “theatre can exist without make-up, without autonomic costume and scenography […] without lighting and ...

5. www.transpositions.co.uk › grotowskis-poor-theatreGrotowski’s Poor Theatre: A Theatre of the Body

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   Nov 1, 2013 · Grotowski’s definition of the theatre is ‘“what takes place between spectator and actor”’. He writes that theatre ‘cannot exist without the actor-spectator relationship of perceptual, direct, “live” communion’.

   • Author: Cole Matson

6. www.academia.edu › 25369343 › JERZY_GROTOWSKIJERZY GROTOWSKI Towards a poor theatre - Academia.edu

   www.academia.edu › 25369343 › JERZY_GROTOWSKI

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   By gradually eliminating whatever proved superfluous, we found that theatre can exist without make-up, without autonomic costume and scenography, without a separate performance area (stage), without lighting and sound effects, etc.

   • Author: Sboniso Alex

7. www.huffpost.com › entry › there-is-no-life-withoutThere Is No Life Without Art: How Theater Is Adapting to ...

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   May 14, 2015 · Theater is part of the market, but does not belong to it. Art has an undeniable force, and it is necessary for human life. At the same time, it cannot be imprisoned and strangled by the utilitarian rules of the marketplace.

   • Author: Michele Mariotti

8. digitalscholarship.unlv.edu › cgi › viewcontentTheatreâ•flA Space for Human Connection

   digitalscholarship.unlv.edu › cgi › viewcontent

   By gradually eliminating whatever proved superfluous, we found that theatre can exist without make-up, without autonomic costume and scenography, without a separate performance area (stage), without lighting and sound effects, etc. It cannot exist without the actor-spectator relationship of perceptual, direct, “live” communion.

9. sites.google.com › poor-theatreTheatrical Traditions - Poor Theatre - Google Sites

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   "By gradually eliminating whatever proved superfluous, we found that theatre can exist without make-up, without autonomic costume and scenography, without a separate performance area...